The Beat

Mar 21, 2000 (en) Crime, Drama [60] Min
  • First Air Date
    Mar 21, 2000
  • Production
    Viacom Productions, The Levinson/Fontana Company
  • Rotten tomato
    20%
  • Original title
    The Beat
  • Release
    Mar 21, 2000
  • en
    -

Overview

The Beat delves into the personal and professional lives of two young police recruits who patrol New York's streets. The city's daily machinations are seen through the often bloodshot eyes of Officers Mike Dorigan and Zane Marinelli, two youthful, irreverent partners who are truly products of their generation and unique urban environment. Issues of race, excessive police force – and the unpredictable quirkiness of New York's outspoken locals – compel both men to rely on their sense of humor just to make it to the end of their shift.

  1. Music Supervisor

  2. Producer

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Casts

  1. Derek Cecil

    Mike Dorigan

  2. Mark Ruffalo

    Zane Marinelli

  3. Heather Burns

    Beatrice Felsen

  4. Poppy Montgomery

    Elizabeth Waclawek

Full Casts & Crew

Casts : 4 / Crews : 3

Specials ( )

Every Beat of My Heart

Episode: 1

Get It On (Bang the Gong)

Episode: 2

Call on Me

Episode: 3

Dark End of the Street

Episode: 4

Gimme Shelter

Episode: 5

Tangled Up in Blue

Episode: 6

Come As You Are

Episode: 7

Season 1 ( 2000-03-21)

The Beat Goes On

Episode: 1

They Say It's Your Birthday

Episode: 2

Three Little Words

Episode: 3

Can I Get A Witness?

Episode: 4

Cueca Solo

Episode: 5

Someone To Watch Over Me

Episode: 6
Mar 21, 2000 (en)
Crime, Drama
[60] Min
  • First Air Date Mar 21, 2000
  • Production
    Viacom Productions, The Levinson/Fontana Company
  • Rotten tomato 20%
Original Title The Beat
en

Overview

The Beat delves into the personal and professional lives of two young police recruits who patrol New York's streets. The city's daily machinations are seen through the often bloodshot eyes of Officers Mike Dorigan and Zane Marinelli, two youthful, irreverent partners who are truly products of their generation and unique urban environment. Issues of race, excessive police force – and the unpredictable quirkiness of New York's outspoken locals – compel both men to rely on their sense of humor just to make it to the end of their shift.

  1. Music Supervisor

  2. Producer