Brett Whiteley - Difficult Pleasure (1989)

ALL 01/01/1989 (en) Documentary 51 Min
  • Release
    01/01/1989
  • Production
  • Rotten tomato
    0%
  • Original title
    Brett Whiteley - Difficult Pleasure
  • Original language
    en
  • Production Cost
  • 0.00
    -

Overview

The program starts with a look at Whiteley's studio — a Pandora's Box in which there are clues to his free-ranging talent. He talks of being "born with a gift" and the desire to test and abuse that gift, to enhance it with addiction but ultimately to share it. Whiteley is seen at a huge blank canvas as he makes the first strokes. During the film this work reaches completion. The artist talks of eroticism - the major driving force behind his painting and one of the themes of the film. The landscapes of Byron Bay, Sydney Harbour, Oberon, and Tuscany dissolve between reality and his paintings. The film-makers travel with him and his girlfriend to London where he makes a drawing in a London cab. He then visits the Chamber of Horrors at Madam Tussaud's and talks of his Christie series of paintings. Whiteley's greatest influence is Francis Bacon and in the film he embarks on a major portrait ultimately destined for the Archibald Prize competition.

  1. Don Featherstone

    Director

  2. Story

  3. Editor

  4. Producer



Currently available to stream, watch for free, rent, and buy in the United States. You can makes it easy to find out where you can legally watch your favorite movies & TV shows online.

Watch Channel

Casts

Full Cast & Crew

Casts : 1 , Crews : 1

Keyword

Brett Whiteley - Difficult Pleasure (1989) 51 Min

ALL 01/01/1989 (en)
Documentary
  • Release 01/01/1989
  • Production
  • Original title Brett Whiteley - Difficult Pleasure
  • en
  • Revenue0.00

Overview

The program starts with a look at Whiteley's studio — a Pandora's Box in which there are clues to his free-ranging talent. He talks of being "born with a gift" and the desire to test and abuse that gift, to enhance it with addiction but ultimately to share it. Whiteley is seen at a huge blank canvas as he makes the first strokes. During the film this work reaches completion. The artist talks of eroticism - the major driving force behind his painting and one of the themes of the film. The landscapes of Byron Bay, Sydney Harbour, Oberon, and Tuscany dissolve between reality and his paintings. The film-makers travel with him and his girlfriend to London where he makes a drawing in a London cab. He then visits the Chamber of Horrors at Madam Tussaud's and talks of his Christie series of paintings. Whiteley's greatest influence is Francis Bacon and in the film he embarks on a major portrait ultimately destined for the Archibald Prize competition.

  1. Don Featherstone

    Director

  2. Story

  3. Editor

  4. Producer