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Music Hall: La Historia Del Catálogo Discográfico Recuperado (2017)

ALL 02/22/2017 (en) Documentary 22 Min
  • Release
    02/22/2017
  • Production
    INAMU
  • Rotten tomato
    0%
  • Original title
    Music Hall: La Historia Del Catálogo Discográfico Recuperado
  • Original language
    en
  • Production Cost
  • 0.00
    -

Overview

Taking into account the recovered cultural heritage, INAMU made a short documentary on the history of the company in the development of argentine music in the period 1950-1990, the stoppage of the catalog for 23 years and its subsequent recovery. The National Institute of Music (INAMU) recovered the historic record catalog that belonged to Sicamericana, a public limited company that operated commercially under the names Music Hall, Sazam and / or TK. This catalog, which has more than 1,500 national records, was paralyzed within a bankruptcy judicial process since 1993. As of that year, and until today, the records were unable to be reissued, also preventing them from being generated. financial resources for its interpreters, despite the fact that they were the ones who made those recordings.

  1. Director

  2. Story

  3. Editor

  4. Producer



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Music Hall: La Historia Del Catálogo Discográfico Recuperado (2017) 22 Min

ALL 02/22/2017 (en)
Documentary
  • Release 02/22/2017
  • Production
    INAMU
  • Original title Music Hall: La Historia Del Catálogo Discográfico Recuperado
  • en
  • Revenue0.00

Overview

Taking into account the recovered cultural heritage, INAMU made a short documentary on the history of the company in the development of argentine music in the period 1950-1990, the stoppage of the catalog for 23 years and its subsequent recovery. The National Institute of Music (INAMU) recovered the historic record catalog that belonged to Sicamericana, a public limited company that operated commercially under the names Music Hall, Sazam and / or TK. This catalog, which has more than 1,500 national records, was paralyzed within a bankruptcy judicial process since 1993. As of that year, and until today, the records were unable to be reissued, also preventing them from being generated. financial resources for its interpreters, despite the fact that they were the ones who made those recordings.

  1. Director

  2. Story

  3. Editor

  4. Producer



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