PEP (Process of Entanglement Procedure) (2019)

ALL 06/15/2019 (en) 15 Min
  • Release
    06/15/2019
  • Production
  • Rotten tomato
    0%
  • Original title
    PEP (Process of Entanglement Procedure)
  • Original language
    en
  • Production Cost
  • 0.00
    -

Overview

Jordan Strafer's PEP (Process Entanglement Procedure) was exhibited at SculptureCenter as part of In Practice: Total Disbelief (2020). Strafer’s PEP (Process Entanglement Procedure) is, among other things, a video about betrayal, the public nature of victimhood, and behavioral conditioning. Its narrative spreads across at least two related timelines. In the present, the video opens onto a witness testimony at a public hearing acted out by a plastic doll in glamorous closeups. Meanwhile, sequences shot to give a handheld, first-person perspective read as composed flashbacks of events described in the hearing. Notably, these sequences include the speaker’s compulsory attendance at a makeshift behavioral bootcamp in the woods at the behest of her two fathers, who later appear as villains in realistic rubber masks. (SculptureCenter)

  1. Jordan Strafer

    Director

  2. Story

  3. Producer



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Casts

Full Cast & Crew

Casts : 6 , Crews : 10

Keyword

PEP (Process of Entanglement Procedure) (2019) 15 Min

ALL 06/15/2019 (en)
  • Release 06/15/2019
  • Production
  • Original title PEP (Process of Entanglement Procedure)
  • en
  • Revenue0.00

Overview

Jordan Strafer's PEP (Process Entanglement Procedure) was exhibited at SculptureCenter as part of In Practice: Total Disbelief (2020). Strafer’s PEP (Process Entanglement Procedure) is, among other things, a video about betrayal, the public nature of victimhood, and behavioral conditioning. Its narrative spreads across at least two related timelines. In the present, the video opens onto a witness testimony at a public hearing acted out by a plastic doll in glamorous closeups. Meanwhile, sequences shot to give a handheld, first-person perspective read as composed flashbacks of events described in the hearing. Notably, these sequences include the speaker’s compulsory attendance at a makeshift behavioral bootcamp in the woods at the behest of her two fathers, who later appear as villains in realistic rubber masks. (SculptureCenter)

  1. Jordan Strafer

    Director

  2. Story

  3. Jordan Strafer

    Editor

  4. Producer