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Verdi: Messa da Requiem (2019)

ALL 06/12/2019 (en) Music 93 Min
  • Release
    06/12/2019
  • Production
    Gingerlemon, Euromedia, Calle Carmen, Little Tribeca
  • Rotten tomato
    90%
  • Original title
    Verdi: Messa da Requiem
  • Original language
    en
  • Production Cost
  • 0.00
    -

Overview

Guiseppe Verdi’s Requiem is still heard mainly in theatre and concert halls. However, the author himself intended this composition to be performed in church, and on special occasions. Conducted by Teodor Currentzis and performed by soloists and musicAeterna choir and orchestra, Verdi’s famous funeral mass returns from the concert stage to Milan’s Church of San Marco, the same place where it was premiered in 1874. The seven parts of the Requiem become steps on the way to comprehending the sacrament of death, the operatic character of orchestral and vocal writing acquires the strictness of the Catholic tradition, and musical images of rage, despair, and rebellion against the inevitable end are crowned with appeasement.

  2. Story

  3. Editor



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Casts

  1. Teodor Currentzis

    Conductor

  2. musicAeterna

    Orchestra / Choir

  3. Zarina Abaeva

    Soprano

  4. Ève-Maud Hubeaux

    Mezzo-soprano

  5. Dmytro Popov

    Tenor

  6. Tareq Nazmi

    Bass

Full Cast & Crew

Casts : 6 , Crews : 18

Recommand

Keyword

Verdi: Messa da Requiem (2019) 93 Min

ALL 06/12/2019 (en)
Music
  • Release 06/12/2019
  • Production
    Gingerlemon, Euromedia, Calle Carmen, Little Tribeca
  • Original title Verdi: Messa da Requiem
  • en
  • Revenue0.00

Overview

Guiseppe Verdi’s Requiem is still heard mainly in theatre and concert halls. However, the author himself intended this composition to be performed in church, and on special occasions. Conducted by Teodor Currentzis and performed by soloists and musicAeterna choir and orchestra, Verdi’s famous funeral mass returns from the concert stage to Milan’s Church of San Marco, the same place where it was premiered in 1874. The seven parts of the Requiem become steps on the way to comprehending the sacrament of death, the operatic character of orchestral and vocal writing acquires the strictness of the Catholic tradition, and musical images of rage, despair, and rebellion against the inevitable end are crowned with appeasement.

  1. François-René Martin

    Director

  2. Story

  3. Editor

  4. Laëtitia Bartoli, Nicolas Bartholomée

    Producer



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