Jotta: a minha maladresse é uma forma de délicatesse (2009)

ALL 01/01/2009 (pt) Documentary 70 Min
  • Release
    01/01/2009
  • Production
    Terratreme, Fundação Calouste Gulbenkian
  • Rotten tomato
    0%
  • Original title
    Jotta: a minha maladresse é uma forma de délicatesse
  • Original language
    pt
  • Production Cost
  • 0.00
    -

Overview

How to represent an artistic intention without reducing it to a description? How to do it preserving the intentionality of the gestus in an ambiguous andsubjective space where the individualism of the artistic perspective is set. “my maladresse…” proposes a viewpoint over Ana Jotta’s universe. An analogous portrait of her relations as an artist is created, setting parallel questions, as hermeneutics possibility and art as a value system. The link relating the trio (artist and director’s deuce) balances between familiarity, master and apprentice, subject and object; the distance and authority of the one behind the camera spreading light around artisticurgencies concerning how Work and Life overlay in this unquiet chase of the greater purpose: a search for consolation in the holy_burlesque of existential functionalism. A documental laboratory of reflexive limits.

  1. Story

  2. Editor



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Full Cast & Crew

Casts : 2 , Crews : 7

Keyword

Jotta: a minha maladresse é uma forma de délicatesse (2009) 70 Min

ALL 01/01/2009 (pt)
Documentary
  • Release 01/01/2009
  • Production
    Terratreme, Fundação Calouste Gulbenkian
  • Original title Jotta: a minha maladresse é uma forma de délicatesse
  • pt
  • Revenue0.00

Overview

How to represent an artistic intention without reducing it to a description? How to do it preserving the intentionality of the gestus in an ambiguous andsubjective space where the individualism of the artistic perspective is set. “my maladresse…” proposes a viewpoint over Ana Jotta’s universe. An analogous portrait of her relations as an artist is created, setting parallel questions, as hermeneutics possibility and art as a value system. The link relating the trio (artist and director’s deuce) balances between familiarity, master and apprentice, subject and object; the distance and authority of the one behind the camera spreading light around artisticurgencies concerning how Work and Life overlay in this unquiet chase of the greater purpose: a search for consolation in the holy_burlesque of existential functionalism. A documental laboratory of reflexive limits.

  1. Francisco Moreira, Salomé Lamas

    Director

  2. Story

  3. Editor

  4. Francisco Moreira, Joana Cunha Ferreira, Salomé Lamas

    Producer