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Other, Like Me (2020)

ALL 03/23/2020 (en) Documentary 80 Min
  • Release
    03/23/2020
  • Production
    BBC, Virtual Post, Willow Glen Films
  • Rotten tomato
    60%
  • Original title
    Other, Like Me
  • Original language
    en
  • Production Cost
  • 0.00
    -

Overview

Hull, England, 1970. In a run-down commune in a tough port city, a group of social misfits - mostly working class, mostly self-educated - adopted new identities and began making simple street theater under the name COUM Transmissions. Their playful performances gradually gave way to work that dealt openly with sex, pornography, and violence. COUM lived on the edges of society, surviving on meager resources, finding fellowship with others marginalized by the mainstream. At the core of the group were two artists, Genesis P-Orridge and Cosey Fanni Tutti. As their work evolved, Cosey embarked on a career modeling for pornographic magazines, which she claimed for herself as a conceptual artwork, using it to forge a specific position in relationship to 1970s feminism. In performances, Genesis pushed himself to extremes, testing the limits of the human body.

  2. Story



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Casts

Full Cast & Crew

Casts : 8 , Crews : 12

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Keyword

Other, Like Me (2020) 80 Min

ALL 03/23/2020 (en)
Documentary
  • Release 03/23/2020
  • Production
    BBC, Virtual Post, Willow Glen Films
  • Original title Other, Like Me
  • en
  • Revenue0.00

Overview

Hull, England, 1970. In a run-down commune in a tough port city, a group of social misfits - mostly working class, mostly self-educated - adopted new identities and began making simple street theater under the name COUM Transmissions. Their playful performances gradually gave way to work that dealt openly with sex, pornography, and violence. COUM lived on the edges of society, surviving on meager resources, finding fellowship with others marginalized by the mainstream. At the core of the group were two artists, Genesis P-Orridge and Cosey Fanni Tutti. As their work evolved, Cosey embarked on a career modeling for pornographic magazines, which she claimed for herself as a conceptual artwork, using it to forge a specific position in relationship to 1970s feminism. In performances, Genesis pushed himself to extremes, testing the limits of the human body.

  1. Marcus Werner Hed, Dan Fox

    Director

  2. Story

  3. Mariko Montpetit, Dan Fox, Jasper Verhorevoort

    Editor

  4. Marcus Werner Hed

    Producer



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