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Yes: Close to the Edge (2013)

ALL 11/13/2013 (en) Music 38 Min
  • Release
    11/13/2013
  • Production
  • Rotten tomato
    0%
  • Original title
    Yes: Close to the Edge
  • Original language
    en
  • Production Cost
  • 0.00
    -

Overview

Released on November 11th 2013 on Panegyric Recordings, ‘Close to the Edge’ will be the first in a new series of expanded YES editions. In keeping with earlier releases in this series, Steven Wilson’s approach to this album for new stereo & 5.1 mixes is to faithfully retain the spirit & sounds of the original album mix, while applying modern mix techniques to bring further clarity to the individual instrument, vocal & overdubs for each track. The songs, instantly familiar to a multitude of Yes fans, remain so, with the new mixes – especially in 5.1 form – providing a greater sense of space for each voice to be heard, Anderson’s voice seems to join the listener in the room, Howe & Wakeman’s solos glisten with clarity & Bruford/Squire remind all that they were unmatched as a rhythm section during that period.

  1. Director

  2. Story

  3. Editor

  4. Producer



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Casts

  1. Jon Anderson

    Vocals

  2. Bill Bruford

    Drums, Percussion

  3. Steve Howe

    Electric and Acoustic Guitars, Vocals

  4. Chris Squire

    Bass Guitars, Vocals

  5. Rick Wakeman

    Organ, Grand Piano, Mellotron, Synthesizer

Full Cast & Crew

Casts : 5 , Crews : 0

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Yes: Close to the Edge (2013) 38 Min

ALL 11/13/2013 (en)
Music
  • Release 11/13/2013
  • Production
  • Original title Yes: Close to the Edge
  • en
  • Revenue0.00

Overview

Released on November 11th 2013 on Panegyric Recordings, ‘Close to the Edge’ will be the first in a new series of expanded YES editions. In keeping with earlier releases in this series, Steven Wilson’s approach to this album for new stereo & 5.1 mixes is to faithfully retain the spirit & sounds of the original album mix, while applying modern mix techniques to bring further clarity to the individual instrument, vocal & overdubs for each track. The songs, instantly familiar to a multitude of Yes fans, remain so, with the new mixes – especially in 5.1 form – providing a greater sense of space for each voice to be heard, Anderson’s voice seems to join the listener in the room, Howe & Wakeman’s solos glisten with clarity & Bruford/Squire remind all that they were unmatched as a rhythm section during that period.

  1. Director

  2. Story

  3. Editor

  4. Producer



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