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Orphée aux Enfers - Salzburger Festspiele 2019 (2020)

ALL 10/25/2020 (de) Music, TV Movie, Comedy, Fantasy 165 Min
  • Release
    10/25/2020
  • Production
    Unitel, Komische Oper Berlin, Deutsche Oper am Rhein
  • Rotten tomato
    60%
  • Original title
    Orphée aux Enfers - Salzburger Festspiele 2019
  • Original language
    de
  • Production Cost
  • 0.00
    -

Overview

Offenbach’s mockery of bourgeois ideals, the sublimity of music and the institution of marriage ensures that the moralistic sermonizing of ‘Public Opinion’ falls on deaf ears. The mysterious figure of John Styx tells the story of behind-the-times Orpheus and his hacked-off Eurydice, of gods and goddesses seeking diversion, jaded with humdrum life in Olympus. He tells of the rebellion in the pantheon, which Jupiter adeptly averts by promising an amusement for his entourage. Burning with curiosity to see the beauteous captive and the contest between Jupiter and Pluto for Eurydice’s favour, the illustrious company embarks on an infernal ride to the underworld that culminates in what is surely the most wellknown can-can in the history of music. And what of Eurydice? She ends up putting a spoke in everyone’s wheel…

  1. Michael Beyer

    Director

  2. Story

  3. Editor

  4. Producer



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Casts

Full Cast & Crew

Casts : 25 , Crews : 8

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Orphée aux Enfers - Salzburger Festspiele 2019 (2020) 165 Min

ALL 10/25/2020 (de)
Music, TV Movie, Comedy, Fantasy
  • Release 10/25/2020
  • Production
    Unitel, Komische Oper Berlin, Deutsche Oper am Rhein
  • Original title Orphée aux Enfers - Salzburger Festspiele 2019
  • de
  • Revenue0.00

Overview

Offenbach’s mockery of bourgeois ideals, the sublimity of music and the institution of marriage ensures that the moralistic sermonizing of ‘Public Opinion’ falls on deaf ears. The mysterious figure of John Styx tells the story of behind-the-times Orpheus and his hacked-off Eurydice, of gods and goddesses seeking diversion, jaded with humdrum life in Olympus. He tells of the rebellion in the pantheon, which Jupiter adeptly averts by promising an amusement for his entourage. Burning with curiosity to see the beauteous captive and the contest between Jupiter and Pluto for Eurydice’s favour, the illustrious company embarks on an infernal ride to the underworld that culminates in what is surely the most wellknown can-can in the history of music. And what of Eurydice? She ends up putting a spoke in everyone’s wheel…

  1. Michael Beyer

    Director

  2. Story

  3. Editor

  4. Producer



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