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Twin Kiddies (1916)

ALL 05/31/1916 (en) Drama 54 Min
  • Release
    05/31/1916
  • Production
  • Rotten tomato
    0%
  • Original title
    Twin Kiddies
  • Original language
    en
  • Production Cost
  • 0.00
    -

Overview

In March 1916, Pathé released a short feature entitled Little Mary Sunshine, starring a four-year-old Marie Osborne. This was one of the first features ever directed by King and it was so successful that Pathé asked the original production company, Balboa, for five more features with the same child wonder. All were produced during the second half of 1916, and only three of them survive today – one being Twin Kiddies, which shows the amazing progress King had made since the first film in the series. Of course, the story is thin, the ending quite abrupt, and the opening sequences rather long. Yet, the direction is much more subtle, alternating between shots of different size, suggesting that King was mastering the art of composition.

  1. Henry King

    Director

  2. Story

  3. Editor

  4. Producer



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Casts

  1. Marie Osborne

    Bessie Hunt/Fay Van Loan

  2. Henry King

    Jasper Hunt

  3. Daniel Gilfether

    William Van Loan

  4. Ruth Lackaye

    Mrs Flannigan

  5. Edward Jobson

    Spencer

  6. Mignon Le Brun

    Governess

  7. R. Henry Grey

    Baxter Van Loan

  8. Loretta Beecker

    Beatrice Van Loan

Full Cast & Crew

Casts : 8 , Crews : 3

Recommand

Keyword

Twin Kiddies (1916) 54 Min

ALL 05/31/1916 (en)
Drama
  • Release 05/31/1916
  • Production
  • Original title Twin Kiddies
  • en
  • Revenue0.00

Overview

In March 1916, Pathé released a short feature entitled Little Mary Sunshine, starring a four-year-old Marie Osborne. This was one of the first features ever directed by King and it was so successful that Pathé asked the original production company, Balboa, for five more features with the same child wonder. All were produced during the second half of 1916, and only three of them survive today – one being Twin Kiddies, which shows the amazing progress King had made since the first film in the series. Of course, the story is thin, the ending quite abrupt, and the opening sequences rather long. Yet, the direction is much more subtle, alternating between shots of different size, suggesting that King was mastering the art of composition.

  1. Henry King

    Director

  2. Story

  3. Editor

  4. Producer



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