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Von Trier's 100 Eyes (2000)

ALL 12/02/2000 (en) Documentary 56 Min
  • Release
    12/02/2000
  • Production
    Zentropa Entertainments
  • Rotten tomato
    73%
  • Original title
    Von Trier's 100 Øjne
  • Original language
    en
  • Production Cost
  • 0.00
    -

Overview

Although at first sight this might look like a simple ‘making of DANCER IN THE DARK’, the later developments in the film reveal the whole drama of Lars von Trier’s inner life during the shooting process. All his doubts and insecurities in collaborating with the crew and actors - especially actresses - are exposed. The biggest drama started when Björk walked off the set. Nobody knew whether she would be back or not. Admitting that he feels threatened by women, who can ‘make him feel embarrassed’, the director gives this documentary the nature of a personal diary. When he discusses the importance, purpose and beauty of the use of a hundred cameras in a certain sequence or the meaning of the Dogma 95 rules, the audience is witnessing the process of the artist’s search. Is the pain that the director went through during the shooting really visible in the final result, as Lars von Trier claims in this film? (from: http://www.idfa.nl/)

  1. Katia Forbert

    Director

  2. Story

  3. Editor

  4. Producer



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Casts

Full Cast & Crew

Casts : 7 , Crews : 1

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Von Trier's 100 Eyes (2000) 56 Min

ALL 12/02/2000 (en)
Documentary
  • Release 12/02/2000
  • Production
    Zentropa Entertainments
  • Original title Von Trier's 100 Øjne
  • en
  • Revenue0.00

Overview

Although at first sight this might look like a simple ‘making of DANCER IN THE DARK’, the later developments in the film reveal the whole drama of Lars von Trier’s inner life during the shooting process. All his doubts and insecurities in collaborating with the crew and actors - especially actresses - are exposed. The biggest drama started when Björk walked off the set. Nobody knew whether she would be back or not. Admitting that he feels threatened by women, who can ‘make him feel embarrassed’, the director gives this documentary the nature of a personal diary. When he discusses the importance, purpose and beauty of the use of a hundred cameras in a certain sequence or the meaning of the Dogma 95 rules, the audience is witnessing the process of the artist’s search. Is the pain that the director went through during the shooting really visible in the final result, as Lars von Trier claims in this film? (from: http://www.idfa.nl/)

  1. Katia Forbert

    Director

  2. Story

  3. Editor

  4. Producer



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