Falstaff (1993)

ALL 01/01/1993 (it) Music 126 Min
  • Release
    01/01/1993
  • Production
    Deutsche Grammophon
  • Rotten tomato
    82%
  • Original title
    Falstaff
  • Original language
    it
  • Production Cost
  • 0.00
    -

Overview

It is to composer and librettist Arrigo Boito and his constant pestering of the octogenarian Verdi that there remained within him one last great comedy fighting to get out that we owe this absolute miracle of an opera. Produced in 1893 as Verdi turned 80 there is much in this masterpiece that can be identified as a modernist neoclassical work. The use of short motifs instead of long arioso melodic lines, the spry and reduced orchestral textures and the lack of a single 'stand and deliver' dramatic declamatory aria all serve to make this more of a 20th century work than an example of 19th century late-Romanticism.

  1. Story

  2. Editor



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Casts

  1. Mirella Freni

    Alice Ford

  2. Barbara Bonney

    Nannetta

  3. Paul Plishka

    Sir John Falstaff

  4. Bruno Pola

    Ford

  5. Marilyn Horne

    Mistress Quickly

  6. Frank Lopardo

    Fenton

  7. Piero De Palma

    Dr. Cajus

  8. Anthony Laciura

    Bardolfo

  9. James Courtney

    Pistola

  10. Susan Graham

    Meg Page

  11. James Levine

    Self - Conductor

  12. Carole Wright

    Mistress of the Inn

  13. Tim Willson

    The Innkeeper

  14. MET Orchestra

Full Cast & Crew

Casts : 14 , Crews : 19

Keyword

Falstaff (1993) 126 Min

ALL 01/01/1993 (it)
Music
  • Release 01/01/1993
  • Production
    Deutsche Grammophon
  • Original title Falstaff
  • it
  • Revenue0.00

Overview

It is to composer and librettist Arrigo Boito and his constant pestering of the octogenarian Verdi that there remained within him one last great comedy fighting to get out that we owe this absolute miracle of an opera. Produced in 1893 as Verdi turned 80 there is much in this masterpiece that can be identified as a modernist neoclassical work. The use of short motifs instead of long arioso melodic lines, the spry and reduced orchestral textures and the lack of a single 'stand and deliver' dramatic declamatory aria all serve to make this more of a 20th century work than an example of 19th century late-Romanticism.

  1. Franco Zeffirelli, Brian Large

    Director

  2. Story

  3. Editor

  4. Daniel Anker, Louisa Briccetti

    Producer