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Unheimlich II: Astarti (1980)

ALL 09/30/1980 (xx) 165 Min
  • Release
    09/30/1980
  • Production
    A.S.T.A.R.T.I.
  • Rotten tomato
    0%
  • Original title
    Unheimlich II: Astarti
  • Original language
    xx
  • Production Cost
  • 0.00
    -

Overview

Astarti, the Greek name for Ishtar, is an archetype of a deep, nocturnal feminine that emerges from subterranean darkness. We experience an embodied cinematic experience realised through a sensuous aesthetic as we are invited to enter a strange and uncertain world of inner depths and hypnotising effects. There, we encounter three women actantes, embodied by the artists, who play mythic and magical female figures such as Medusa and Salome. They metamorphose, dance and enter trances where the body vibrates into transformation. Figures reveal themselves out of silence which is both the moment of creation and an eternal reality. The film itself actualises that which is inactual and gives form to blackness through a poetics of intimacy and an ethics of interpersonal relationships, which is founded in the artists’ own double authorship.

  2. Story

  3. Editor

  4. Producer



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Casts

Full Cast & Crew

Casts : 3 , Crews : 2

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Unheimlich II: Astarti (1980) 165 Min

ALL 09/30/1980 (xx)
  • Release 09/30/1980
  • Production
    A.S.T.A.R.T.I.
  • Original title Unheimlich II: Astarti
  • xx
  • Revenue0.00

Overview

Astarti, the Greek name for Ishtar, is an archetype of a deep, nocturnal feminine that emerges from subterranean darkness. We experience an embodied cinematic experience realised through a sensuous aesthetic as we are invited to enter a strange and uncertain world of inner depths and hypnotising effects. There, we encounter three women actantes, embodied by the artists, who play mythic and magical female figures such as Medusa and Salome. They metamorphose, dance and enter trances where the body vibrates into transformation. Figures reveal themselves out of silence which is both the moment of creation and an eternal reality. The film itself actualises that which is inactual and gives form to blackness through a poetics of intimacy and an ethics of interpersonal relationships, which is founded in the artists’ own double authorship.

  1. Maria Klonaris, Katerina Thomadaki

    Director

  2. Story

  3. Editor

  4. Producer



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