Tomorrow (2017)

ALL 11/09/2017 (ru) Drama 75 Min
  • Release
    11/09/2017
  • Production
  • Rotten tomato
    57%
  • Original title
    Завтра
  • Original language
    ru
  • Production Cost
  • 0.00
    -

Overview

In a small, snow-covered town in Belarus, a former English teacher manages to scrape a living distributing leaflets to people’s letterboxes. In the evening, he joins his wife in their dingy apartment, and together they reminisce about their son, a student in Minsk they rarely see. Possibly their only excitement of the week is buying a lottery ticket, which, for a few seconds, gives them a chance to dream. Yuliya Shatun’s camera, at first oddly focused on the white expanses along every roadside, then begins to scrutinise the teacher in his comings and goings – a precise recording with, however, a hint of the moroseness of a terrain so rare in today’s cinema. The teacher has stoically adapted to a degenerate world and a life fuelled by stifled shame. An odour of neglect wafts between the apartment blocks, the uttered words and the background noise of the television. A certain irony floats in the air too, and it needs Yuliya Shatun’s patience to grasp and take responsibility for it.

  1. Yuliya Shatun

    Director

  2. Story

  3. Yuliya Shatun

    Editor

  4. Yuliya Shatun

    Producer



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Casts

Full Cast & Crew

Casts : 6 , Crews : 6

Keyword

Tomorrow (2017) 75 Min

ALL 11/09/2017 (ru)
Drama
  • Release 11/09/2017
  • Production
  • Original title Завтра
  • ru
  • Revenue0.00

Overview

In a small, snow-covered town in Belarus, a former English teacher manages to scrape a living distributing leaflets to people’s letterboxes. In the evening, he joins his wife in their dingy apartment, and together they reminisce about their son, a student in Minsk they rarely see. Possibly their only excitement of the week is buying a lottery ticket, which, for a few seconds, gives them a chance to dream. Yuliya Shatun’s camera, at first oddly focused on the white expanses along every roadside, then begins to scrutinise the teacher in his comings and goings – a precise recording with, however, a hint of the moroseness of a terrain so rare in today’s cinema. The teacher has stoically adapted to a degenerate world and a life fuelled by stifled shame. An odour of neglect wafts between the apartment blocks, the uttered words and the background noise of the television. A certain irony floats in the air too, and it needs Yuliya Shatun’s patience to grasp and take responsibility for it.

  1. Yuliya Shatun

    Director

  2. Story

  3. Yuliya Shatun

    Editor

  4. Yuliya Shatun

    Producer