Beethoven · Fidelio (2014)

ALL 12/10/2014 (de) Music 162 Min
  • Release
    12/10/2014
  • Production
    Teatro alla Scala
  • Rotten tomato
    0%
  • Original title
    Beethoven · Fidelio
  • Original language
    de
  • Production Cost
  • 0.00
    -

Overview

A tribute to marriage coming from a bachelor is a tad suspicious. But for Beethoven the idealization of the woman-bride was heartfelt and sincere. It has always been a unique opera starring a courageous wife who wows audiences. Fidelio is a moral title, associated with the ideals of liberty of the French Enlightenment. Nobility and commoners are united in their thirst for justice against the oppression of power. For once the faithful consort of a desaparecido wins her battle against a treacherous tyrant, and the collective joy truly is “nameless”, as is sung on the stage. Especially because the “our heroes to the rescue” finale is recounted by the triumphant symphonic flair of the quintessential musician. Beethoven really does bring the world to collapse at the conclusion of this opera, which begins like a delightful little comedy, but which scales and transcends all the summits of the dramatic-musical art.

  1. Deborah Warner

    Director

  2. Story

  3. Editor

  4. Producer



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Casts

  1. Peter Mattei

    Don Fernando

  2. Falk Struckmann

    Don Pizarro

  3. Klaus Florian Vogt

    Florestan

  4. Anja Kampe

    Leonore

  5. Kwangchul Youn

    Rocco

  6. Mojca Erdmann

    Marzelline

  7. Florian Hoffmann

    Jaquino

  8. Oreste Cosimo

    First prisoner

  9. Devis Longo

    Second prisoner

Full Cast & Crew

Casts : 9 , Crews : 4

Keyword

Beethoven · Fidelio (2014) 162 Min

ALL 12/10/2014 (de)
Music
  • Release 12/10/2014
  • Production
    Teatro alla Scala
  • Original title Beethoven · Fidelio
  • de
  • Revenue0.00

Overview

A tribute to marriage coming from a bachelor is a tad suspicious. But for Beethoven the idealization of the woman-bride was heartfelt and sincere. It has always been a unique opera starring a courageous wife who wows audiences. Fidelio is a moral title, associated with the ideals of liberty of the French Enlightenment. Nobility and commoners are united in their thirst for justice against the oppression of power. For once the faithful consort of a desaparecido wins her battle against a treacherous tyrant, and the collective joy truly is “nameless”, as is sung on the stage. Especially because the “our heroes to the rescue” finale is recounted by the triumphant symphonic flair of the quintessential musician. Beethoven really does bring the world to collapse at the conclusion of this opera, which begins like a delightful little comedy, but which scales and transcends all the summits of the dramatic-musical art.

  1. Deborah Warner

    Director

  2. Story

  3. Editor

  4. Producer