Symbiopsychotaxiplasm: Take One (1968)

ALL 10/28/1968 (en) Documentary 75 Min
  • Release
    10/28/1968
  • Production
  • Rotten tomato
    72%
  • Original title
    Symbiopsychotaxiplasm: Take One
  • Original language
    en
  • Production Cost
  • 0.00
    -

Overview

In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?

  1. William Greaves

    Director

  2. Story

  3. William Greaves

    Producer



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Casts

  1. Patricia Ree Gilbert

    Herself / Actress Testing for Alice

  2. Don Fellows

    Himself / Actor Testing for Freddy

  3. Jonathan Gordon

    Himself / Soundman

  4. William Greaves

    Himself / Director

  5. Susan Anspach

    Herself / Actress Testing for Alice (uncredited)

  6. Audrey Heningham

    Black Lady Clapping Her Hands (uncredited)

  7. Stevan Larner

    Himself / Cameraman (uncredited)

  8. Terence Macartney-Filgate

    Himself / Cameraman (uncredited)

  9. Maria Zeheri

    Herself / Camera Assistant (uncredited)

  10. Robert L. Rosen

    Himself / Production Manager (as Bob Rosen)

Full Cast & Crew

Casts : 10 , Crews : 12

Keyword

Symbiopsychotaxiplasm: Take One (1968) 75 Min

ALL 10/28/1968 (en)
Documentary
  • Release 10/28/1968
  • Production
  • Original title Symbiopsychotaxiplasm: Take One
  • en
  • Revenue0.00

Overview

In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?

  1. William Greaves

    Director

  2. Story

  3. William Greaves

    Editor

  4. William Greaves

    Producer