Angela Davis: Portrait of a Revolutionary (1972)

ALL 01/13/1972 (en) Documentary 60 Min
  • Release
    01/13/1972
  • Production
    New American Film Makers Series, Whitney Museum of American Art, New York, NY
  • Rotten tomato
    0%
  • Original title
    Angela Davis: Portrait of a Revolutionary
  • Original language
    en
  • Production Cost
  • 0.00
    -

Overview

"Director Yolande du Luart had been involved in Lettrist circles in France before decamping for California to study film at UCLA, where her classmates included Charles Burnett and Haile Gerima. During this time, UCLA professor Angela Davis was a subject of increasing scrutiny after coming out as a Communist, provoking the ire of administrators and governor Ronald Reagan. Believing that Davis would be an ideal film subject, du Luart immediately began making a documentary, though she would ultimately return to France to complete the project after receiving unwanted attention from the FBI. “Over the course of events,” writes Nicole Brenez, “this appreciative and sensitive portrait of a politically engaged philosopher had been transformed into a call for the liberation of an imprisoned activist and an internationalist revolutionary manifesto.”" - Film at Lincoln Center

  1. Yolande du Luart

    Director

  2. Story



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Full Cast & Crew

Casts : 3 , Crews : 11

Keyword

Angela Davis: Portrait of a Revolutionary (1972) 60 Min

ALL 01/13/1972 (en)
Documentary
  • Release 01/13/1972
  • Production
    New American Film Makers Series, Whitney Museum of American Art, New York, NY
  • Original title Angela Davis: Portrait of a Revolutionary
  • en
  • Revenue0.00

Overview

"Director Yolande du Luart had been involved in Lettrist circles in France before decamping for California to study film at UCLA, where her classmates included Charles Burnett and Haile Gerima. During this time, UCLA professor Angela Davis was a subject of increasing scrutiny after coming out as a Communist, provoking the ire of administrators and governor Ronald Reagan. Believing that Davis would be an ideal film subject, du Luart immediately began making a documentary, though she would ultimately return to France to complete the project after receiving unwanted attention from the FBI. “Over the course of events,” writes Nicole Brenez, “this appreciative and sensitive portrait of a politically engaged philosopher had been transformed into a call for the liberation of an imprisoned activist and an internationalist revolutionary manifesto.”" - Film at Lincoln Center

  1. Yolande du Luart

    Director

  2. Story

  3. Jacqueline Meppiel, Maryse Siclier

    Editor

  4. Mae Mercer, Yolande du Luart

    Producer