I Puritani (2007)

ALL 11/22/2007 (it) 149 Min
  • Release
    11/22/2007
  • Production
    Deutsche Grammophon
  • Rotten tomato
    0%
  • Original title
    I Puritani
  • Original language
    it
  • Production Cost
  • 0.00
    -

Beautiful Bellini; charismatic Netrebko

Overview

It's hard to imagine a video opera collection without this superbly sung MET production of Bellini's I Puritani. Not that it's perfect by any means, but its excellences--most especially Anna Netrebko's electrifying singing and acting of Elvira--banish carping about other aspects of this memorable night at the opera. Netrebko is fragile from the start, her facial expressions and hand movements immediately conveying the girl's vulnerability. She has a mad scene in each act; the first when she realizes her fiancé has disappeared with another woman, the third, in the final act, a brief relapse when her returned fiancé is taken by the army to be executed. But it's in the second act that the real fireworks occur, with a Mad Scene that rivals Donizetti's Lucia for bel canto primacy. Here, Elvira is first heard off-stage, after the chorus has informed us that she's deranged. She enters wearing her wedding gown and begins Qui la voce in a voice as frail as her psyche.

  1. Sandro Sequi

    Director

  2. Story

  3. Editor

  4. Producer



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Casts

  1. Eric Cutler

    Lord Arturo Talbo

  2. Anna Netrebko

    Elvira

  3. John Relyea

    Sir Giorgio

  4. Valerian Ruminski

    Lord Gualtiero Valton

  5. Franco Vassallo

    Sir Riccardo Forth

  6. Maria Zifchak

    Enrichetta di Francia

  7. Eduardo Valdes

    Sir Bruno Roberton

  8. Patrick Summers

    Conductor

Full Cast & Crew

Casts : 8 , Crews : 2

Keyword

I Puritani (2007) 149 Min

ALL 11/22/2007 (it)
  • Release 11/22/2007
  • Production
    Deutsche Grammophon
  • Original title I Puritani
  • it
  • Revenue0.00

Beautiful Bellini; charismatic Netrebko

Overview

It's hard to imagine a video opera collection without this superbly sung MET production of Bellini's I Puritani. Not that it's perfect by any means, but its excellences--most especially Anna Netrebko's electrifying singing and acting of Elvira--banish carping about other aspects of this memorable night at the opera. Netrebko is fragile from the start, her facial expressions and hand movements immediately conveying the girl's vulnerability. She has a mad scene in each act; the first when she realizes her fiancé has disappeared with another woman, the third, in the final act, a brief relapse when her returned fiancé is taken by the army to be executed. But it's in the second act that the real fireworks occur, with a Mad Scene that rivals Donizetti's Lucia for bel canto primacy. Here, Elvira is first heard off-stage, after the chorus has informed us that she's deranged. She enters wearing her wedding gown and begins Qui la voce in a voice as frail as her psyche.

  1. Sandro Sequi

    Director

  2. Story

  3. Editor

  4. Producer