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Integration Report 1 (1960)

ALL 01/01/1960 (en) Documentary 21 Min
  • Release
    01/01/1960
  • Production
    Andover Productions
  • Rotten tomato
    77%
  • Original title
    Integration Report 1
  • Original language
    en
  • Production Cost
  • 0.00
    -

Overview

Integration Report 1, Madeline Anderson's trailblazing debut, was the first known documentary by an African American female director. With tenacity, empathy and skill, Anderson assembles a vital record of desegregation efforts around the country in 1959 and 1960, featuring footage by documentary legends Albert Maysles and Richard Leacock and early Black cameraman Robert Puello, singing by Maya Angelou, and narration by playwright Loften Mitchell. Anderson fleetly moves from sit-ins in Montgomery, Alabama to a speech by Martin Luther King Jr. in Washington, D.C. to a protest of the unprosecuted death in police custody of an unarmed Black man in Brooklyn, capturing the incredible reach and scope of the civil rights movement, and working with this diverse of footage, as she would later say, “like an artist with a palette using different colors.”

  2. Story

  3. Zina Voynow

    Editor



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Full Cast & Crew

Casts : 4 , Crews : 13

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Keyword

Integration Report 1 (1960) 21 Min

ALL 01/01/1960 (en)
Documentary
  • Release 01/01/1960
  • Production
    Andover Productions
  • Original title Integration Report 1
  • en
  • Revenue0.00

Overview

Integration Report 1, Madeline Anderson's trailblazing debut, was the first known documentary by an African American female director. With tenacity, empathy and skill, Anderson assembles a vital record of desegregation efforts around the country in 1959 and 1960, featuring footage by documentary legends Albert Maysles and Richard Leacock and early Black cameraman Robert Puello, singing by Maya Angelou, and narration by playwright Loften Mitchell. Anderson fleetly moves from sit-ins in Montgomery, Alabama to a speech by Martin Luther King Jr. in Washington, D.C. to a protest of the unprosecuted death in police custody of an unarmed Black man in Brooklyn, capturing the incredible reach and scope of the civil rights movement, and working with this diverse of footage, as she would later say, “like an artist with a palette using different colors.”

  1. Madeline Anderson

    Director

  2. Story

  3. Zina Voynow

    Editor

  4. Madeline Anderson

    Producer



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