What's The Love Making Babies For (2003)

ALL 06/16/2003 (en) Comedy, Science Fiction 20 Min
  • Release
    06/16/2003
  • Production
    Electronic Arts Intermix
  • Rotten tomato
    0%
  • Original title
    What's The Love Making Babies For
  • Original language
    en
  • Production Cost
  • 0.00
    -

Overview

Trecartin's extraordinary digital manipulations reach a new level as he speculates in vivid animation about reproduction, sexuality, and contemporary moralities. Collapsing footage appropriated from television, the Internet, and pop culture, Trecartin and his elaborately costumed collaborators manufacture an alien yet familiar reality. Inside this startling new video world, technophile gods wearing acid-washed denim argue about the future of gender and produce cryptic TV commercials. In a surreal backyard town meeting, characters deliver disjointed polemics assembled from clashing phrases that could have originated in ad campaigns, instant messaging conversations, or twisted episodes of syndicated science fiction. Constructed from the raw material of disposable media clichés and fads, Trecartin's narrative leaves us to answer the riddles he poses.

  1. Ryan Trecartin

    Director

  2. Story

  3. Ryan Trecartin

    Producer



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Casts

Full Cast & Crew

Casts : 11 , Crews : 4

Keyword

What's The Love Making Babies For (2003) 20 Min

ALL 06/16/2003 (en)
Comedy, Science Fiction
  • Release 06/16/2003
  • Production
    Electronic Arts Intermix
  • Original title What's The Love Making Babies For
  • en
  • Revenue0.00

Overview

Trecartin's extraordinary digital manipulations reach a new level as he speculates in vivid animation about reproduction, sexuality, and contemporary moralities. Collapsing footage appropriated from television, the Internet, and pop culture, Trecartin and his elaborately costumed collaborators manufacture an alien yet familiar reality. Inside this startling new video world, technophile gods wearing acid-washed denim argue about the future of gender and produce cryptic TV commercials. In a surreal backyard town meeting, characters deliver disjointed polemics assembled from clashing phrases that could have originated in ad campaigns, instant messaging conversations, or twisted episodes of syndicated science fiction. Constructed from the raw material of disposable media clichés and fads, Trecartin's narrative leaves us to answer the riddles he poses.

  1. Ryan Trecartin

    Director

  2. Story

  3. Ryan Trecartin

    Editor

  4. Ryan Trecartin

    Producer