Face Anthea (1990)

ALL 08/11/1990 (en) Documentary 62 Min
  • Release
    08/11/1990
  • Production
  • Rotten tomato
    0%
  • Original title
    Face Anthea
  • Original language
    en
  • Production Cost
  • 0.00
    -

Overview

"Either in its natural state or with its embellishments of makeup, jewels, and hairdos, nothing can restrain the imagination from the most forms of speculation. All the senses are concentrated in this one head: eyes, ears, nose, lips, tongue and the skin which covers all with its network of vibrating nerves. One imagines the senses, the counterpart of our own, ready to respond with all the various moods, suggestions and agreements. Through the eyes alone, when placed in contact with our own, a visual dialogue and interplay is embarked upon. And when the lips, two bodies fitting together in perfect harmony, break into a smile, they invite further exploration. Then, with the engagement of time, this dialogue shifts from speculation to realization. The face transforms from its abstract suggestiveness to the singular projection of seduction. It is no longer anyones face; it is the face of one particular person" (Stephen Dwoskin)

  1. Stephen Dwoskin

    Director

  2. Story

  3. Editor

  4. Producer



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Full Cast & Crew

Casts : 1 , Crews : 1

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Face Anthea (1990) 62 Min

ALL 08/11/1990 (en)
Documentary
  • Release 08/11/1990
  • Production
  • Original title Face Anthea
  • en
  • Revenue0.00

Overview

"Either in its natural state or with its embellishments of makeup, jewels, and hairdos, nothing can restrain the imagination from the most forms of speculation. All the senses are concentrated in this one head: eyes, ears, nose, lips, tongue and the skin which covers all with its network of vibrating nerves. One imagines the senses, the counterpart of our own, ready to respond with all the various moods, suggestions and agreements. Through the eyes alone, when placed in contact with our own, a visual dialogue and interplay is embarked upon. And when the lips, two bodies fitting together in perfect harmony, break into a smile, they invite further exploration. Then, with the engagement of time, this dialogue shifts from speculation to realization. The face transforms from its abstract suggestiveness to the singular projection of seduction. It is no longer anyones face; it is the face of one particular person" (Stephen Dwoskin)

  1. Stephen Dwoskin

    Director

  2. Story

  3. Editor

  4. Producer