Bond: Live at the Royal Albert Hall (2001)

ALL 01/01/2001 (en) Music 61 Min
  • Release
    01/01/2001
  • Production
    Decca, Mike Mansfield Enterprises Ltd.
  • Rotten tomato
    65%
  • Original title
    Bond: Live at the Royal Albert Hall
  • Original language
    en
  • Production Cost
  • 0.00
    -

Overview

Filmed at their Royal Albert Hall debut gig in September 2000, Bond Live is a slick showcase for four classically trained, ex-session musicians and their fusion of string quartet and rock music. Whatever the hype (four beautiful women wearing scanty tops and dancing with violins while backed by a five-piece rock combo and a small, rarely seen string section), it has nothing to do with making classical music cool and everything to do with sex. In "Duel," first and second violins Haylie Ecker and Eos trade licks "guitar-hero" style, and most of the tracks are new instrumentals written for the album Born, though "The 1812" does manage to reduce Tchaikovsky's overture to a five-minute dance number. With rock-show lighting, synthesizers, dance beats, and a finale involving the "James Bond Theme" followed by a Rio-style fiesta for the closing "Victory--Carnival Mix," this is camp, melodramatic, sexy fun.

  1. Mike Mansfield

    Director

  2. Story

  3. Editor

  4. Producer



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Full Cast & Crew

Casts : 4 , Crews : 1

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Bond: Live at the Royal Albert Hall (2001) 61 Min

ALL 01/01/2001 (en)
Music
  • Release 01/01/2001
  • Production
    Decca, Mike Mansfield Enterprises Ltd.
  • Original title Bond: Live at the Royal Albert Hall
  • en
  • Revenue0.00

Overview

Filmed at their Royal Albert Hall debut gig in September 2000, Bond Live is a slick showcase for four classically trained, ex-session musicians and their fusion of string quartet and rock music. Whatever the hype (four beautiful women wearing scanty tops and dancing with violins while backed by a five-piece rock combo and a small, rarely seen string section), it has nothing to do with making classical music cool and everything to do with sex. In "Duel," first and second violins Haylie Ecker and Eos trade licks "guitar-hero" style, and most of the tracks are new instrumentals written for the album Born, though "The 1812" does manage to reduce Tchaikovsky's overture to a five-minute dance number. With rock-show lighting, synthesizers, dance beats, and a finale involving the "James Bond Theme" followed by a Rio-style fiesta for the closing "Victory--Carnival Mix," this is camp, melodramatic, sexy fun.

  1. Mike Mansfield

    Director

  2. Story

  3. Editor

  4. Producer