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Bridge of Japan (1956)

ALL 10/01/1956 (ja) Romance, Drama 111 Min
  • Release
    10/01/1956
  • Production
    Daiei Film
  • Rotten tomato
    73%
  • Original title
    日本橋
  • Original language
    ja
  • Production Cost
  • 0.00
    -

Overview

Ichikawa's 1956 adaptation of Nihonbashi was the first to take the work of Kyoka Izumi— until then regarded as a writer of common tragic melodramas—and re-evaluate it as a tanbi-ha work of decadence, aestheticism, and intrigue. Ichikawa's film presents the tragic plot of the young geisha who is unable to enact her love for a man publicly in any way other than a histrionic story of torment, a heart-rending tale of lovers being crushed by fate. Instead, Ichikawa shows the contest of wills that transpires as two geisha, Oko and Kiyoha fight for the top spot in Nihonbashi, the pinnacle of the Tokyo geisha world. Nihonbashi is an elegant, if steely, exposition of manners. The young doctor, Shinzo Katsuragi, is the object of affection for both women, but appears to be more the choice reward for the plotting and thieving of these two early modern superwomen, than a lover they swoon over.

  1. Kon Ichikawa

    Director

  2. Story

  4. Masaichi Nagata

    Producer



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Casts

Full Cast & Crew

Casts : 22 , Crews : 12

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Keyword

Bridge of Japan (1956) 111 Min

ALL 10/01/1956 (ja)
Romance, Drama
  • Release 10/01/1956
  • Production
    Daiei Film
  • Original title 日本橋
  • ja
  • Revenue0.00

Overview

Ichikawa's 1956 adaptation of Nihonbashi was the first to take the work of Kyoka Izumi— until then regarded as a writer of common tragic melodramas—and re-evaluate it as a tanbi-ha work of decadence, aestheticism, and intrigue. Ichikawa's film presents the tragic plot of the young geisha who is unable to enact her love for a man publicly in any way other than a histrionic story of torment, a heart-rending tale of lovers being crushed by fate. Instead, Ichikawa shows the contest of wills that transpires as two geisha, Oko and Kiyoha fight for the top spot in Nihonbashi, the pinnacle of the Tokyo geisha world. Nihonbashi is an elegant, if steely, exposition of manners. The young doctor, Shinzo Katsuragi, is the object of affection for both women, but appears to be more the choice reward for the plotting and thieving of these two early modern superwomen, than a lover they swoon over.

  1. Kon Ichikawa

    Director

  2. Story

  3. Tatsuji Nakashizu

    Editor

  4. Masaichi Nagata

    Producer



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