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Les souffrances d'un oeuf meurtri (1967)

ALL 12/27/1967 (fr) 19 Min
  • Release
    12/27/1967
  • Production
  • Rotten tomato
    31%
  • Original title
    Les souffrances d'un oeuf meurtri
  • Original language
    fr
  • Production Cost
  • 0.00
    -

Overview

A surrealist saga in four parts: 1.) The credit sequence in which title cards show successively larger foetuses pulsating on the screen until the baby is born and cries. 2.) Etoile-directly referring to Cocteau, Lethem shows an adolescent sucking a starfish and then giving birth to a smaller starfish. A statement of inadequacy. To give birth involves an emasculation and a loss of vitality. 3.) Corps-two images of a man on a couch groping for each other, watched by a mysterious peeping Tom. As the two superimposed images come together, the heavy breathing subsides…the statement that the birth of desire is a self – realisation. 4.) Hymen – The decaying body of a girl is shot through green filters, and the final image reveals her vagina crawling with maggots and overlain with a crucifix. A representation of Catholicism preventing the free expression of desire.

  1. Roland Lethem

    Director

  2. Story

  3. Editor

  4. Producer



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Casts

Full Cast & Crew

Casts : 5 , Crews : 1

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Les souffrances d'un oeuf meurtri (1967) 19 Min

ALL 12/27/1967 (fr)
  • Release 12/27/1967
  • Production
  • Original title Les souffrances d'un oeuf meurtri
  • fr
  • Revenue0.00

Overview

A surrealist saga in four parts: 1.) The credit sequence in which title cards show successively larger foetuses pulsating on the screen until the baby is born and cries. 2.) Etoile-directly referring to Cocteau, Lethem shows an adolescent sucking a starfish and then giving birth to a smaller starfish. A statement of inadequacy. To give birth involves an emasculation and a loss of vitality. 3.) Corps-two images of a man on a couch groping for each other, watched by a mysterious peeping Tom. As the two superimposed images come together, the heavy breathing subsides…the statement that the birth of desire is a self – realisation. 4.) Hymen – The decaying body of a girl is shot through green filters, and the final image reveals her vagina crawling with maggots and overlain with a crucifix. A representation of Catholicism preventing the free expression of desire.

  1. Roland Lethem

    Director

  2. Story

  3. Editor

  4. Producer



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