Don Giovanni (1991)

ALL 01/01/1991 (it) Music 173 Min
  • Release
    01/01/1991
  • Production
  • Rotten tomato
    0%
  • Original title
    Don Giovanni
  • Original language
    it
  • Production Cost
  • 0.00
    -

Overview

Live performance from Cologne Opera. Conlon conducts a skittishly dynamic performance of Don Giovanni. He relies on Thomas Allen’s tough Don to give the work much of its dark menace and on Holle’s terrifying Commendatore to provide the moral outrage – his job is to keep things moving, and he does. The exteriors – blank city spaces reminiscent of the paintings of Giorgio De Chirico – and moodily claustrophobic interiors mirror effectively the anguish of the orphaned Anna and the abandoned Elvira; this is a performance in which the two women victims of the Don function effectively as correctives to his libertine charm. Andrea Rost as Zerlina brings real delicacy to her role, reminding us that “La ci darem la mano” is a duet about her flirtation with Don Giovanni and not just a famous stand-alone moment. This is an admirable presentation of a fine performance.

  1. Story

  2. Editor

  3. Producer



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Casts

  1. Thomas Allen

    Don Giovanni

  2. Carolyn James

    Donna Anna

  3. Carol Vaness

    Donna Elvira

  4. Ferruccio Furlanetto

    Leporello

  5. Kjell Magnus Sandvé

    Don Ottavio

  6. Andrea Rost

    Zerlina

  7. Reinhard Dorn

    Masetto

  8. Matthias Hölle

    Comtur

Full Cast & Crew

Casts : 8 , Crews : 6

Keyword

Don Giovanni (1991) 173 Min

ALL 01/01/1991 (it)
Music
  • Release 01/01/1991
  • Production
  • Original title Don Giovanni
  • it
  • Revenue0.00

Overview

Live performance from Cologne Opera. Conlon conducts a skittishly dynamic performance of Don Giovanni. He relies on Thomas Allen’s tough Don to give the work much of its dark menace and on Holle’s terrifying Commendatore to provide the moral outrage – his job is to keep things moving, and he does. The exteriors – blank city spaces reminiscent of the paintings of Giorgio De Chirico – and moodily claustrophobic interiors mirror effectively the anguish of the orphaned Anna and the abandoned Elvira; this is a performance in which the two women victims of the Don function effectively as correctives to his libertine charm. Andrea Rost as Zerlina brings real delicacy to her role, reminding us that “La ci darem la mano” is a duet about her flirtation with Don Giovanni and not just a famous stand-alone moment. This is an admirable presentation of a fine performance.

  1. Michael Hampe, José Montes-Baquer

    Director

  2. Story

  3. Editor

  4. Producer