Pierrot Lunaire (2014)

ALL 02/09/2014 (en) Music, Drama 51 Min
  • Release
    02/09/2014
  • Production
    Jürgen Brüning Filmproduktion
  • Rotten tomato
    58%
  • Original title
    Pierrot Lunaire
  • Original language
    en
  • Production Cost
  • 0.00
    -

Overview

Invited by the conductor Premil Petrovic to stage Arnold Schoenberg’s Pierrot Lunaire, a musical theater work from 1912 based on the poems of Albert Giraud, LaBruce transposed a strange and tragic episode of true crime onto the composition. Complementing the original atonal score is a narrative about a trans man who is outed by his girlfriend’s father and forbidden from seeing the young woman again. Crestfallen, the protagonist decides to prove the fact of his manhood by castrating a taxi driver and then revealing his newly transplanted member to the two of them. This story, which for LaBruce “serves as a kind of allegory for all gender radicals and outcasts driven to extremes by the disapproval and hostility of the dominant order,” is rendered in a visual style that nods to the era of Schoenberg’s melodrama. LaBruce cheekily appropriates the formal vocabulary of silent cinema with black-and-white photography, irises, and intertitles like “A cock, a cock, my kingdom for a cock!”

  1. Bruce LaBruce

    Director

  2. Story

  3. Editor



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Casts

Full Cast & Crew

Casts : 8 , Crews : 11

Keyword

Pierrot Lunaire (2014) 51 Min

ALL 02/09/2014 (en)
Music, Drama
  • Release 02/09/2014
  • Production
    Jürgen Brüning Filmproduktion
  • Original title Pierrot Lunaire
  • en
  • Revenue0.00

Overview

Invited by the conductor Premil Petrovic to stage Arnold Schoenberg’s Pierrot Lunaire, a musical theater work from 1912 based on the poems of Albert Giraud, LaBruce transposed a strange and tragic episode of true crime onto the composition. Complementing the original atonal score is a narrative about a trans man who is outed by his girlfriend’s father and forbidden from seeing the young woman again. Crestfallen, the protagonist decides to prove the fact of his manhood by castrating a taxi driver and then revealing his newly transplanted member to the two of them. This story, which for LaBruce “serves as a kind of allegory for all gender radicals and outcasts driven to extremes by the disapproval and hostility of the dominant order,” is rendered in a visual style that nods to the era of Schoenberg’s melodrama. LaBruce cheekily appropriates the formal vocabulary of silent cinema with black-and-white photography, irises, and intertitles like “A cock, a cock, my kingdom for a cock!”

  1. Bruce LaBruce

    Director

  2. Story

  3. Editor

  4. Tomas Liska, Anna Mülter, Claus Matthes, Jürgen Brüning, Bruce LaBruce

    Producer