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Baron Olavo, The Horrible (1969)

ALL 05/08/1969 (pt) Comedy, Crime, Horror 72 Min
  • Release
    05/08/1969
  • Production
    Belair Filmes, TB Produções
  • Rotten tomato
    48%
  • Original title
    Barão Olavo, o Horrível
  • Original language
    pt
  • Production Cost
  • 0.00
    -

Overview

Bressane’s first color film, shot in the home of the artist Elyseu Visconti. Part of it is missing sound and final editing because the director was forced to leave Brazil. Horror and humor to deal with the subject of insanity: “In the end everyone leaves the house as though they were laboratory mice escaping, they invade the city and contaminate the world”. “If we talk about horror, this film deals with national horror, with Mojica Marins as an emblem. There might be a few touches of Corman and English horror, but it is another level of horror. What transformed the film was the location where we were shooting, the house of a 19th century painter, a receptacle of light. When I arrived and saw that house, that light, I said: ‘This is the film. This is the horror’. The meaning of the film, its appeal, derives from this laboratory of light” (J. Bressane). — Torino Film Festival

  1. Júlio Bressane

    Director

  2. Story

  3. Amauri Alves

    Editor



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Casts

Full Cast & Crew

Casts : 7 , Crews : 8

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Keyword

Baron Olavo, The Horrible (1969) 72 Min

ALL 05/08/1969 (pt)
Comedy, Crime, Horror
  • Release 05/08/1969
  • Production
    Belair Filmes, TB Produções
  • Original title Barão Olavo, o Horrível
  • pt
  • Revenue0.00

Overview

Bressane’s first color film, shot in the home of the artist Elyseu Visconti. Part of it is missing sound and final editing because the director was forced to leave Brazil. Horror and humor to deal with the subject of insanity: “In the end everyone leaves the house as though they were laboratory mice escaping, they invade the city and contaminate the world”. “If we talk about horror, this film deals with national horror, with Mojica Marins as an emblem. There might be a few touches of Corman and English horror, but it is another level of horror. What transformed the film was the location where we were shooting, the house of a 19th century painter, a receptacle of light. When I arrived and saw that house, that light, I said: ‘This is the film. This is the horror’. The meaning of the film, its appeal, derives from this laboratory of light” (J. Bressane). — Torino Film Festival

  1. Júlio Bressane

    Director

  2. Story

  3. Amauri Alves

    Editor

  4. Júlio Bressane, Rogério Sganzerla

    Producer



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