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Mournful Unconcern (1987)

ALL 02/01/1987 (ru) Drama 110 Min
  • Release
    02/01/1987
  • Production
    Lenfilm
  • Rotten tomato
    46%
  • Original title
    Скорбное бесчувствие
  • Original language
    ru
  • Production Cost
  • 0.00
    -

Overview

The action in this lavishly produced film takes place at an oddly ark-shaped mansion during World War I, and in spirit (although not in story) it reflects the play which inspired it, the ferociously antiwar Heartbreak House by George Bernard Shaw. A large group of family and friends have gathered at this country house to dance, drink, and converse. Their conversation, in particular, is adorned with erudite literary references and quotations. Despite their apparent refinement, their preoccupations are simple: sex and violence. Disquieting images break the tranquility of the vacationers' inappropriate idyll: some of these include documentary footage of starving African children, images (both real and re-enacted) of George Bernard Shaw going about his daily life, and a corpse coming to life on an autopsy table, only to cheapen that miracle by scolding a group of women. The music used in the film ironically points to its disturbing message and is uniformly anachronistic.

  2. Story

  4. Producer



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Casts

Full Cast & Crew

Casts : 11 , Crews : 8

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Keyword

Mournful Unconcern (1987) 110 Min

ALL 02/01/1987 (ru)
Drama
  • Release 02/01/1987
  • Production
    Lenfilm
  • Original title Скорбное бесчувствие
  • ru
  • Revenue0.00

Overview

The action in this lavishly produced film takes place at an oddly ark-shaped mansion during World War I, and in spirit (although not in story) it reflects the play which inspired it, the ferociously antiwar Heartbreak House by George Bernard Shaw. A large group of family and friends have gathered at this country house to dance, drink, and converse. Their conversation, in particular, is adorned with erudite literary references and quotations. Despite their apparent refinement, their preoccupations are simple: sex and violence. Disquieting images break the tranquility of the vacationers' inappropriate idyll: some of these include documentary footage of starving African children, images (both real and re-enacted) of George Bernard Shaw going about his daily life, and a corpse coming to life on an autopsy table, only to cheapen that miracle by scolding a group of women. The music used in the film ironically points to its disturbing message and is uniformly anachronistic.

  1. Aleksandr Sokurov

    Director

  2. Story

  3. Leda Semyonova

    Editor

  4. Producer



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