Les chants de Maldoror (1978)

ALL 02/02/1978 (ja) Fantasy 30 Min
  • Release
    02/02/1978
  • Production
    Jinriki Hikoki Sha
  • Rotten tomato
    64%
  • Original title
    ルドロオルの歌
  • Original language
    ja
  • Production Cost
  • 0.00
    -

Overview

A “reading film” of delirious image and text, Les chants de Maldoror takes its title and inspiration from Comte de Lautréamont’s 1869 proto-Surrealist poetic novel which, for instance, describes beauty as the chance encounter of a sewing machine and an umbrella on an operating table. In the novel’s six cantos, a young misanthrope indulges in depraved and destructive acts. Unexpected encounters abound, with turtles and birds joining Terayama’s regular cast of snails and dogs to wander over books and bare torsos. Feverish video processing posterizes, inverts and overlays images that are further colored by sound—pushing the limits of his literary adaptation. Terayama wrote that the only tombstone he wanted was his words, but, as Les chants de Maldoror demonstrates, words need not be confined to carved monuments or bound hardcopies.

  1. Shūji Terayama

    Director

  2. Story

  3. Editor

  4. Producer



Currently available to stream, watch for free, rent, and buy in the United States. You can makes it easy to find out where you can legally watch your favorite movies & TV shows online.

Watch Channel

Casts

Full Cast & Crew

Casts : 3 , Crews : 5

Keyword

Les chants de Maldoror (1978) 30 Min

ALL 02/02/1978 (ja)
Fantasy
  • Release 02/02/1978
  • Production
    Jinriki Hikoki Sha
  • Original title ルドロオルの歌
  • ja
  • Revenue0.00

Overview

A “reading film” of delirious image and text, Les chants de Maldoror takes its title and inspiration from Comte de Lautréamont’s 1869 proto-Surrealist poetic novel which, for instance, describes beauty as the chance encounter of a sewing machine and an umbrella on an operating table. In the novel’s six cantos, a young misanthrope indulges in depraved and destructive acts. Unexpected encounters abound, with turtles and birds joining Terayama’s regular cast of snails and dogs to wander over books and bare torsos. Feverish video processing posterizes, inverts and overlays images that are further colored by sound—pushing the limits of his literary adaptation. Terayama wrote that the only tombstone he wanted was his words, but, as Les chants de Maldoror demonstrates, words need not be confined to carved monuments or bound hardcopies.

  1. Shūji Terayama

    Director

  2. Story

  3. Editor

  4. Producer