Karaoke (1998)

ALL 12/27/1998 (en) 3 Min
  • Release
    12/27/1998
  • Production
  • Rotten tomato
    0%
  • Original title
    Karaoke
  • Original language
    en
  • Production Cost
  • 0.00
    -

Overview

Donigan Cumming calls Karaoke a "moving still". In fact, the motion in the three-minute shot that this film consists of almost comes to a halt. In close-ups, Cumming shows the face of an old man lying stiffly on a bed, his eyes closed. He swallows with great effort. The camera then moves slowly along his body to his feet, then back to his face. The man swallows again, and it is only then that the viewer notices that this second segment of the shot is the same as the first, only now running backwards. The shot has come full circle, and the back and forth motions override each other. Thus the continuously advancing filmic image reveals itself to be an optical illusion. Cumming also calls filmic representation into question in the relationship between image and sound. When the camera zooms into the open mouth, a song can be heard from off-camera as if the old man were singing karaoke, yet his lips do not move.

  1. Donigan Cumming

    Director

  2. Story

  3. Editor

  4. Donigan Cumming

    Producer



Currently available to stream, watch for free, rent, and buy in the United States. You can makes it easy to find out where you can legally watch your favorite movies & TV shows online.

Watch Channel

Casts

Full Cast & Crew

Casts : 1 , Crews : 2

Keyword

Karaoke (1998) 3 Min

ALL 12/27/1998 (en)
  • Release 12/27/1998
  • Production
  • Original title Karaoke
  • en
  • Revenue0.00

Overview

Donigan Cumming calls Karaoke a "moving still". In fact, the motion in the three-minute shot that this film consists of almost comes to a halt. In close-ups, Cumming shows the face of an old man lying stiffly on a bed, his eyes closed. He swallows with great effort. The camera then moves slowly along his body to his feet, then back to his face. The man swallows again, and it is only then that the viewer notices that this second segment of the shot is the same as the first, only now running backwards. The shot has come full circle, and the back and forth motions override each other. Thus the continuously advancing filmic image reveals itself to be an optical illusion. Cumming also calls filmic representation into question in the relationship between image and sound. When the camera zooms into the open mouth, a song can be heard from off-camera as if the old man were singing karaoke, yet his lips do not move.

  1. Donigan Cumming

    Director

  2. Story

  3. Editor

  4. Donigan Cumming

    Producer