El asombro (2014)

ALL 05/20/2014 (es) Documentary 49 Min
  • Release
    05/20/2014
  • Production
  • Rotten tomato
    0%
  • Original title
    El asombro
  • Original language
    es
  • Production Cost
  • 0.00
    -

Overview

As if it were a continuation of the last 15 minutes of AB, Fund and Loza, now accompanied by Moriconi, radicalize the aesthetic procedure of the previous film made together: on the one hand, there is a free text, between poetic and philosophical, pronounced voiced by two men and a woman; on the other, a set of plans of different ecosystems, live and stuffed animals, clouds, waterfalls and lava, organized by a kind of poetic logic, makes up the visual material. The disjunction between text and image is programmatic, and in parallel they constitute a form of free poetic expression. The precariousness of existence is evidence, and the very composition of the images is in line with this empirical confirmation. The general discourse oscillates between a heterodox Franciscan Christianity and a sensitive Darwinism, and in the same way a kind of awareness of terror and amazement towards the universe is combined.

  1. Story



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Casts

Full Cast & Crew

Casts : 3 , Crews : 16

Keyword

El asombro (2014) 49 Min

ALL 05/20/2014 (es)
Documentary
  • Release 05/20/2014
  • Production
  • Original title El asombro
  • es
  • Revenue0.00

Overview

As if it were a continuation of the last 15 minutes of AB, Fund and Loza, now accompanied by Moriconi, radicalize the aesthetic procedure of the previous film made together: on the one hand, there is a free text, between poetic and philosophical, pronounced voiced by two men and a woman; on the other, a set of plans of different ecosystems, live and stuffed animals, clouds, waterfalls and lava, organized by a kind of poetic logic, makes up the visual material. The disjunction between text and image is programmatic, and in parallel they constitute a form of free poetic expression. The precariousness of existence is evidence, and the very composition of the images is in line with this empirical confirmation. The general discourse oscillates between a heterodox Franciscan Christianity and a sensitive Darwinism, and in the same way a kind of awareness of terror and amazement towards the universe is combined.

  1. Santiago Loza, Iván Fund, Lorena Moriconi

    Director

  2. Story

  3. Lorena Moriconi

    Editor

  4. Iván Eibuszyc, Iván Fund, Santiago Loza, Lorena Moriconi

    Producer