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The Armed Eye – VALIE EXPORT in a Dialogue with the Film Avant-Garde (1984)

ALL 11/14/1984 (de) Documentary, TV Movie 135 Min
  • Release
    11/14/1984
  • Production
    ORF
  • Rotten tomato
    0%
  • Original title
    Das Bewaffnete Auge - VALIE EXPORT im Dialog mit der Filmavantgarde
  • Original language
    de
  • Production Cost
  • 0.00
    -

Overview

In her three-part series VALIE EXPORT takes a look at the themes of "staged space - staged time", "real movement - movable reality", and "structural film", a genre which no longer exists on public-service television. Using numerous examples from films prepared for the specific media, for example by Wojciek Bruszewski, Malcolm LeGrice, Sergey Eisenstein, Maya Deren, Kurt Kren, Yvonne Rainer, Anne Severson, Alfred Hitchcock, Linda Christanell, Gary Beydler and Marc Adrian, narrative and non-narrative forms of story-telling are examined and compared. Adrian appears in a live interview, and he attempts to explain the conditions of production, methods and Zeitgeist through his own work, including his first computer film, Random (1963). The advanced level of this film is also indicated by the high density of theoretical quotes from Christian Metz, Charles S. Peirce, Vsevolod I. Pudovkin and Ferdinand de Saussure.

  2. Story

  3. Editor

  4. Producer



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Full Cast & Crew

Casts : 1 , Crews : 2

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The Armed Eye – VALIE EXPORT in a Dialogue with the Film Avant-Garde (1984) 135 Min

ALL 11/14/1984 (de)
Documentary, TV Movie
  • Release 11/14/1984
  • Production
    ORF
  • Original title Das Bewaffnete Auge - VALIE EXPORT im Dialog mit der Filmavantgarde
  • de
  • Revenue0.00

Overview

In her three-part series VALIE EXPORT takes a look at the themes of "staged space - staged time", "real movement - movable reality", and "structural film", a genre which no longer exists on public-service television. Using numerous examples from films prepared for the specific media, for example by Wojciek Bruszewski, Malcolm LeGrice, Sergey Eisenstein, Maya Deren, Kurt Kren, Yvonne Rainer, Anne Severson, Alfred Hitchcock, Linda Christanell, Gary Beydler and Marc Adrian, narrative and non-narrative forms of story-telling are examined and compared. Adrian appears in a live interview, and he attempts to explain the conditions of production, methods and Zeitgeist through his own work, including his first computer film, Random (1963). The advanced level of this film is also indicated by the high density of theoretical quotes from Christian Metz, Charles S. Peirce, Vsevolod I. Pudovkin and Ferdinand de Saussure.

  1. Zoltán Sándor Pataky

    Director

  2. Story

  3. Editor

  4. Producer



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