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The Silent Woman - Fisher Center at Bard (2022)

ALL 07/24/2022 (en) Music 208 Min
  • Release
    07/24/2022
  • Production
  • Rotten tomato
    0%
  • Original title
    The Silent Woman - Fisher Center at Bard
  • Original language
    en
  • Production Cost
  • 0.00
    -

Overview

The plot is almost identical to Donizetti’s Don Pasquale except that the “old man” is not a fool here and his relationship with his nephew, Henry, is loving. It is more human and tender but still has bite. All the old man, Sir Morosus, wants is silence. Richard Strauss' Die schweigsame Frau was first presented in 1935; Hitler and Goebbels refused to attend because Stefan Zweig, the librettist, was a Jew and Strauss refused to remove his name from the program after the Nazis had insisted it be excised. It was a great success but was withdrawn for just that political reason after only three performances. Presented here is the complete, with some minor tweeks, uncensored version.

  1. Christian Räth

    Director

  2. Story

  3. Editor

  4. Producer



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Casts

  1. Harold Wilson

    Sir Morosus

  2. Jana McIntyre

    Aminta

  3. David Portillo

    Henry Morosus

  4. Edward Nelson

    Schneidebart, the barber

  5. Ariana Lucas

    Widow Zimmerlein

  6. Matthew Anchel

    Vanuzzi

  7. Chrystal E Williams

    Carlotta

  8. Anya Matanovic

    Isotta

  9. Federico DeMichelis

    Farfallo

  10. Jorell Williams

    Morbio

Full Cast & Crew

Casts : 10 , Crews : 2

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Keyword

The Silent Woman - Fisher Center at Bard (2022) 208 Min

ALL 07/24/2022 (en)
Music
  • Release 07/24/2022
  • Production
  • Original title The Silent Woman - Fisher Center at Bard
  • en
  • Revenue0.00

Overview

The plot is almost identical to Donizetti’s Don Pasquale except that the “old man” is not a fool here and his relationship with his nephew, Henry, is loving. It is more human and tender but still has bite. All the old man, Sir Morosus, wants is silence. Richard Strauss' Die schweigsame Frau was first presented in 1935; Hitler and Goebbels refused to attend because Stefan Zweig, the librettist, was a Jew and Strauss refused to remove his name from the program after the Nazis had insisted it be excised. It was a great success but was withdrawn for just that political reason after only three performances. Presented here is the complete, with some minor tweeks, uncensored version.

  1. Christian Räth

    Director

  2. Story

  3. Editor

  4. Producer



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