Philippe-Alain Michaud, le réel traversé par la fiction (2016)

ALL 01/01/2016 (fr) Documentary 41 Min
  • Release
    01/01/2016
  • Production
    Zadig Productions
  • Rotten tomato
    0%
  • Original title
    Philippe-Alain Michaud, le réel traversé par la fiction
  • Original language
    fr
  • Production Cost
  • 0.00
    -

Overview

To be in Venice and see the architecture of New York, to perceive in a painting by Tintoretto the birth of animated images, to look at the burlesque Cretinetti as the ancestor of montage - so many shifts, displacements, and striking telescopings that Philippe-Alain Michaud proposes in this film dedicated to him. To follow this art historian, curator of the cinema collections at the Centre Pompidou, is to go from the oriental carpet to the film, or from the first fireworks to the cinema. And everywhere the animation of the images - projections of Antony McCall, or of Paul Sharits, Column without end of Brancusi, Pasolini's Accatone - everything moves! Under the tutelage of Aby Warburg, the great art historian of the early twentieth century, precursor of iconology and image comparison, to whom Philippe-Alain Michaud was the first in France to devote an important essay, eleven images are placed on the table to describe the singular journey of this art historian.

  1. Story

  2. Anouk Zivy

    Editor



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Full Cast & Crew

Casts : 2 , Crews : 10

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Philippe-Alain Michaud, le réel traversé par la fiction (2016) 41 Min

ALL 01/01/2016 (fr)
Documentary
  • Release 01/01/2016
  • Production
    Zadig Productions
  • Original title Philippe-Alain Michaud, le réel traversé par la fiction
  • fr
  • Revenue0.00

Overview

To be in Venice and see the architecture of New York, to perceive in a painting by Tintoretto the birth of animated images, to look at the burlesque Cretinetti as the ancestor of montage - so many shifts, displacements, and striking telescopings that Philippe-Alain Michaud proposes in this film dedicated to him. To follow this art historian, curator of the cinema collections at the Centre Pompidou, is to go from the oriental carpet to the film, or from the first fireworks to the cinema. And everywhere the animation of the images - projections of Antony McCall, or of Paul Sharits, Column without end of Brancusi, Pasolini's Accatone - everything moves! Under the tutelage of Aby Warburg, the great art historian of the early twentieth century, precursor of iconology and image comparison, to whom Philippe-Alain Michaud was the first in France to devote an important essay, eleven images are placed on the table to describe the singular journey of this art historian.

  1. Marianne Alphant, Pascale Bouhénic

    Director

  2. Story

  3. Anouk Zivy

    Editor

  4. Mélanie Gerin, Paul Rozenberg

    Producer