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Annihilator: Bloodstock Open Air 2017 (2017)

ALL 08/12/2017 (en) Music 46 Min
  • Release
    08/12/2017
  • Production
  • Rotten tomato
    50%
  • Original title
    Annihilator: Bloodstock Open Air 2017
  • Original language
    en
  • Production Cost
  • 0.00
    -

Overview

Thrash veterans Annihilator grace Saturday’s Ronnie James Dio stage line-up to bridge the two-year gap since 2015’s ‘Suicide Society’ with a set crammed with timeless hits. Frontman Jeff Waters instantly commands with an energetic rendition of ‘King of the Kill’ leading relentlessly into ‘No Way Out’. There’s no room for filler on the Bloodstock stage, although this does appear to limit the draw for a crowd searching for a calmer afternoon before the evening’s hectic festivities – fans would expect a much more diverse set than this especially with fifteen albums under their bullet belts. That said, ’Set the World on Fire’ feels as authoritative as ever in the afternoon sun and ‘W.T.Y.D.’ charges its way toward the sea of banging heads in the arena. Of course as is now traditional for Annihilator, ‘Alison Hell’ introduces herself in the only grim way she knows how, but this set isn’t quite the unforgettable venture into the archives that it should have been.

  1. Director

  2. Story

  3. Editor

  4. Producer



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Casts

  1. Jeff Waters

    lead vocals, guitar

  2. Aaron Homma

    guitar

  3. Rich Gray

    bass

  4. Fabio Alessandrini

    drums

Full Cast & Crew

Casts : 4 , Crews : 0

Recommand

Keyword

Annihilator: Bloodstock Open Air 2017 (2017) 46 Min

ALL 08/12/2017 (en)
Music
  • Release 08/12/2017
  • Production
  • Original title Annihilator: Bloodstock Open Air 2017
  • en
  • Revenue0.00

Overview

Thrash veterans Annihilator grace Saturday’s Ronnie James Dio stage line-up to bridge the two-year gap since 2015’s ‘Suicide Society’ with a set crammed with timeless hits. Frontman Jeff Waters instantly commands with an energetic rendition of ‘King of the Kill’ leading relentlessly into ‘No Way Out’. There’s no room for filler on the Bloodstock stage, although this does appear to limit the draw for a crowd searching for a calmer afternoon before the evening’s hectic festivities – fans would expect a much more diverse set than this especially with fifteen albums under their bullet belts. That said, ’Set the World on Fire’ feels as authoritative as ever in the afternoon sun and ‘W.T.Y.D.’ charges its way toward the sea of banging heads in the arena. Of course as is now traditional for Annihilator, ‘Alison Hell’ introduces herself in the only grim way she knows how, but this set isn’t quite the unforgettable venture into the archives that it should have been.

  1. Director

  2. Story

  3. Editor

  4. Producer



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