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Split Decision (1979)

ALL 01/01/1979 (en) Drama, Animation 15 Min
  • Release
    01/01/1979
  • Production
    New York State Council on the Arts, Millennium Film Workshop, The Committee on Visual Arts
  • Rotten tomato
    100%
  • Original title
    Split Decision
  • Original language
    en
  • Production Cost
  • 0.00
    -

Overview

This film is a scrambled narrative that illustrates, in soap opera fashion, life of artists in Lower Manhattan and at the same time dramatizes questions about the nature of filmic representation. Split decision is a boxing term used when the judges divide their votes in finding a winner. In this case the fight is between the two heroes of the film who are seen intermittently in a bar, negotiating a pick-up, and at home, breaking up in a domestic quarrel. The fight is also in the telling, between modes of conventional representation and modes of radical representation - between conventional continuity editing, and abstraction created through computer generated grids. The film features an appearance by Carolee Schneemann and digital imaging from before the era of personal computers.

  1. Bill Brand

    Director

  2. Story

  3. Editor



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Casts

Full Cast & Crew

Casts : 17 , Crews : 13

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Keyword

Split Decision (1979) 15 Min

ALL 01/01/1979 (en)
Drama, Animation
  • Release 01/01/1979
  • Production
    New York State Council on the Arts, Millennium Film Workshop, The Committee on Visual Arts
  • Original title Split Decision
  • en
  • Revenue0.00

Overview

This film is a scrambled narrative that illustrates, in soap opera fashion, life of artists in Lower Manhattan and at the same time dramatizes questions about the nature of filmic representation. Split decision is a boxing term used when the judges divide their votes in finding a winner. In this case the fight is between the two heroes of the film who are seen intermittently in a bar, negotiating a pick-up, and at home, breaking up in a domestic quarrel. The fight is also in the telling, between modes of conventional representation and modes of radical representation - between conventional continuity editing, and abstraction created through computer generated grids. The film features an appearance by Carolee Schneemann and digital imaging from before the era of personal computers.

  1. Bill Brand

    Director

  2. Story

  3. Editor

  4. Barbara Mayfield, Lauren Abrams, Bruce Bixler, Mike Dooley, Gloria Norris

    Producer



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