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Salzburg Festival 2017: Mozart, Requiem in D minor, K. 626 (2017)

ALL 07/23/2017 (en) Music 55 Min
  • Release
    07/23/2017
  • Production
    Unitel, ORF, ZDF, 3sat
  • Rotten tomato
    0%
  • Original title
    Salzburg Festival 2017: Mozart, Requiem in D minor, K. 626
  • Original language
    en
  • Production Cost
  • 0.00
    -

Overview

Mozart’s Requiem – his final and unfinished masterpiece – is an extraordinary work. Discover the piece at the Salzburg Festival in the hands of conductor Teodor Currentzis, the ensemble musicAeterna, Anna Prohaska (soprano), Katharina Magiera (contralto), Mauro Peter (tenor), and Tareq Nazmi (bass). Few musical works are as steeped in legend as Mozart’s Requiem in D minor, K. 626. Commissioned anonymously by the eccentric count Franz von Walsegg, the funereal oeuvre would become Mozart’s last: when he died on December 5, 1791, only the Requiem aeternam and Kyrie movements were fully composed and orchestrated. Completed by other composers (Mozart’s student Franz Xaver Süssmayer in particular) using Mozart’s sketches and notes, the resulting work weaves the emotions we associate with death into a timeless musical exploration of every human being’s destiny, and constitutes a powerful final testament to its creator’s genius.

  1. Henning Kasten

    Director

  2. Story

  3. Editor

  4. Producer



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Casts : 4 , Crews : 3

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Salzburg Festival 2017: Mozart, Requiem in D minor, K. 626 (2017) 55 Min

ALL 07/23/2017 (en)
Music
  • Release 07/23/2017
  • Production
    Unitel, ORF, ZDF, 3sat
  • Original title Salzburg Festival 2017: Mozart, Requiem in D minor, K. 626
  • en
  • Revenue0.00

Overview

Mozart’s Requiem – his final and unfinished masterpiece – is an extraordinary work. Discover the piece at the Salzburg Festival in the hands of conductor Teodor Currentzis, the ensemble musicAeterna, Anna Prohaska (soprano), Katharina Magiera (contralto), Mauro Peter (tenor), and Tareq Nazmi (bass). Few musical works are as steeped in legend as Mozart’s Requiem in D minor, K. 626. Commissioned anonymously by the eccentric count Franz von Walsegg, the funereal oeuvre would become Mozart’s last: when he died on December 5, 1791, only the Requiem aeternam and Kyrie movements were fully composed and orchestrated. Completed by other composers (Mozart’s student Franz Xaver Süssmayer in particular) using Mozart’s sketches and notes, the resulting work weaves the emotions we associate with death into a timeless musical exploration of every human being’s destiny, and constitutes a powerful final testament to its creator’s genius.

  1. Henning Kasten

    Director

  2. Story

  3. Editor

  4. Producer



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