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The Doctor and the Prima Donna (1960)

ALL 11/17/1960 (zh) Music 102 Min
  • Release
    11/17/1960
  • Production
    Sun Sun Film Enterprises Ltd.
  • Rotten tomato
    0%
  • Original title
    名醫與紅伶
  • Original language
    zh
  • Production Cost
  • 0.00
    -

Overview

Famous dancer and film actress Fong Nan (Mao Mei) desires both a career and a family after marrying an eminent doctor (Guan Shan), who, however, wants her to be a stay-at-home wife. They are on the brink of divorce when he finds out she secretly rehearses for her dance and movie…Taking inspirations from Hollywood musical films, the movie is beautifully directed and meticulously produced by Yuen Yang-an and his Sun Sun Film Enterprises. While most films at the time usually depict how grassroots people rise above adversity, this one tells the story of a famed actress who thrives for success and never gives up on her artistic ambition. This reflects that women's liberation and employment was a dominating theme in left-wing movies. The finale was shot in Eastman colour negative film, which was rare before mid-60s given the limited technical resources in Hong Kong film industry, and thus a valuable record in the city's cinematic history.

  1. Yuen Yang-an

    Director

  2. Story

  4. Producer



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Casts

Full Cast & Crew

Casts : 15 , Crews : 10

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The Doctor and the Prima Donna (1960) 102 Min

ALL 11/17/1960 (zh)
Music
  • Release 11/17/1960
  • Production
    Sun Sun Film Enterprises Ltd.
  • Original title 名醫與紅伶
  • zh
  • Revenue0.00

Overview

Famous dancer and film actress Fong Nan (Mao Mei) desires both a career and a family after marrying an eminent doctor (Guan Shan), who, however, wants her to be a stay-at-home wife. They are on the brink of divorce when he finds out she secretly rehearses for her dance and movie…Taking inspirations from Hollywood musical films, the movie is beautifully directed and meticulously produced by Yuen Yang-an and his Sun Sun Film Enterprises. While most films at the time usually depict how grassroots people rise above adversity, this one tells the story of a famed actress who thrives for success and never gives up on her artistic ambition. This reflects that women's liberation and employment was a dominating theme in left-wing movies. The finale was shot in Eastman colour negative film, which was rare before mid-60s given the limited technical resources in Hong Kong film industry, and thus a valuable record in the city's cinematic history.

  1. Yuen Yang-an

    Director

  2. Story

  3. Zhuang Wenlang

    Editor

  4. Producer



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