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Robarte el arte (1972)

ALL 03/02/1972 (en) 35 Min
  • Release
    03/02/1972
  • Production
  • Rotten tomato
    0%
  • Original title
    Robarte el arte
  • Original language
    en
  • Production Cost
  • 0.00
    -

Overview

For Robarte el Arte [Stealing the Art] (1972), Juan José Gurrola together with Gelsen Gas and Arnaldo Coen supposedly stole an artwork during Documenta 5 in 1972 and represented it with an asterisk of scotch tape on a rock in the Wilhelmshöhe Park. Sequences of this performative action are montaged like in a silent movie with panels of cut-up newspaper text blocks, installation shots from the Documenta exhibition inside and outside Fridericianum, and scenes from a horror porn movie based on the story of the serial killer "Goyo" Cárdenas – his case became a sensation on Mexican media in the 1940s and inspired several copycat murderers imitating his crimes – and underscored with a dramatic soundtrack. With Robarte el Arte, the artists satirically destabilize Documenta’s institutionalized role to chart the current art developments and thus setting the foundation for a so-called canon as Eurocentric.

  2. Story

  3. Editor

  4. Gelsen Gas

    Producer



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Casts

Full Cast & Crew

Casts : 3 , Crews : 2

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Robarte el arte (1972) 35 Min

ALL 03/02/1972 (en)
  • Release 03/02/1972
  • Production
  • Original title Robarte el arte
  • en
  • Revenue0.00

Overview

For Robarte el Arte [Stealing the Art] (1972), Juan José Gurrola together with Gelsen Gas and Arnaldo Coen supposedly stole an artwork during Documenta 5 in 1972 and represented it with an asterisk of scotch tape on a rock in the Wilhelmshöhe Park. Sequences of this performative action are montaged like in a silent movie with panels of cut-up newspaper text blocks, installation shots from the Documenta exhibition inside and outside Fridericianum, and scenes from a horror porn movie based on the story of the serial killer "Goyo" Cárdenas – his case became a sensation on Mexican media in the 1940s and inspired several copycat murderers imitating his crimes – and underscored with a dramatic soundtrack. With Robarte el Arte, the artists satirically destabilize Documenta’s institutionalized role to chart the current art developments and thus setting the foundation for a so-called canon as Eurocentric.

  1. Juan José Gurrola

    Director

  2. Story

  3. Editor

  4. Gelsen Gas

    Producer



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