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Brahms - Symphonies No. 3 and 4 / Semyon Bychkov, WDR Sinfonieorchester Koln (2003)

ALL 01/01/2003 (en) Music 111 Min
  • Release
    01/01/2003
  • Production
  • Rotten tomato
    75%
  • Original title
    Brahms - Symphonies No. 3 and 4 / Semyon Bychkov, WDR Sinfonieorchester Koln
  • Original language
    en
  • Production Cost
  • 0.00
    -

Overview

Semyon Bychkov WDR Sinfonieorchester Köln SYMPHONY NO. 3 IN F MAJOR, OP. 90 SYMPHONY NO. 4 IN E MINOR, OP. 98 Far from being conservative, as Brahms often has been referred to, his symphonies show the composer as a groundbreaking pioneer far ahead of his time. He may not have broken dramatic new ground in the same way as his musical colleagues Liszt and Wagner, who invented new genres. Instead, his innovations took place at the mircro-level – within music’s inner palm. In this respect Brahms was far ahead of his time – and this fact explains what half a century later Arnold Schoenberg regards him as “progressive” and was referring to him for his own compositional theory.

  1. Director

  2. Story

  3. Editor

  4. Producer



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  1. Semyon Bychkov

    Conductor

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Brahms - Symphonies No. 3 and 4 / Semyon Bychkov, WDR Sinfonieorchester Koln (2003) 111 Min

ALL 01/01/2003 (en)
Music
  • Release 01/01/2003
  • Production
  • Original title Brahms - Symphonies No. 3 and 4 / Semyon Bychkov, WDR Sinfonieorchester Koln
  • en
  • Revenue0.00

Overview

Semyon Bychkov WDR Sinfonieorchester Köln SYMPHONY NO. 3 IN F MAJOR, OP. 90 SYMPHONY NO. 4 IN E MINOR, OP. 98 Far from being conservative, as Brahms often has been referred to, his symphonies show the composer as a groundbreaking pioneer far ahead of his time. He may not have broken dramatic new ground in the same way as his musical colleagues Liszt and Wagner, who invented new genres. Instead, his innovations took place at the mircro-level – within music’s inner palm. In this respect Brahms was far ahead of his time – and this fact explains what half a century later Arnold Schoenberg regards him as “progressive” and was referring to him for his own compositional theory.

  1. Director

  2. Story

  3. Editor

  4. Producer



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