Shostakovich: Lady Macbeth of Mtsensk (2009)

ALL 10/27/2009 (ru) Music 169 Min
  • Release
    10/27/2009
  • Production
    Arthaus Musik
  • Rotten tomato
    0%
  • Original title
    Леди Макбет Мценского уезда
  • Original language
    ru
  • Production Cost
  • 0.00
    -

Opera in 4 Acts

Overview

At first glance, the title of Shostakovich’s opera seems to speak for itself: Katherina, neglected and unhappy in her marriage, commits the most heinous crime just like the Shakespearian Lady Macbeth. But Nikolai Leskov’s short novel, which portrays Katherina as a monster, was only the starting point for Shostakovich to elicit understanding for an oppressed woman whose pursuit for self-determination is suppressed by society. Through combining satiric, grotesque and tragic elements in his music, Shostakovich succeeds in striking the balance between repulsion at Katherina’s immoral acts and sympathy for her. Violence, eroticism and the paralysing boredom of Russian society in the 19th century are the founding elements of this composition. The choir and orchestra of the Maggio Musicale Fiorentino conducted by James Conlon accompany tremendous soloists such as Jeanne-Michèle Charbonnet, Vladimir Vaneev and Vsevolod Grivnov in the original language in this live recording.

  1. Lev Dodin

    Director

  2. Story

  3. Editor

  4. Producer



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Casts

  1. Vladimir Vaneev

    Boris Izmailov

  2. Jeanne-Michèle Charbonnet

    Katerina Izmailova

  3. Vsevolod Grivnov

    Sergei

  4. James Conlon

    Conductor

Full Cast & Crew

Casts : 4 , Crews : 4

Keyword

Shostakovich: Lady Macbeth of Mtsensk (2009) 169 Min

ALL 10/27/2009 (ru)
Music
  • Release 10/27/2009
  • Production
    Arthaus Musik
  • Original title Леди Макбет Мценского уезда
  • ru
  • Revenue0.00

Opera in 4 Acts

Overview

At first glance, the title of Shostakovich’s opera seems to speak for itself: Katherina, neglected and unhappy in her marriage, commits the most heinous crime just like the Shakespearian Lady Macbeth. But Nikolai Leskov’s short novel, which portrays Katherina as a monster, was only the starting point for Shostakovich to elicit understanding for an oppressed woman whose pursuit for self-determination is suppressed by society. Through combining satiric, grotesque and tragic elements in his music, Shostakovich succeeds in striking the balance between repulsion at Katherina’s immoral acts and sympathy for her. Violence, eroticism and the paralysing boredom of Russian society in the 19th century are the founding elements of this composition. The choir and orchestra of the Maggio Musicale Fiorentino conducted by James Conlon accompany tremendous soloists such as Jeanne-Michèle Charbonnet, Vladimir Vaneev and Vsevolod Grivnov in the original language in this live recording.

  1. Lev Dodin

    Director

  2. Story

  3. Editor

  4. Producer