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Tchaikovsky: Symphonies Nos. 4, 5 & 6 - Gergiev (2011)

ALL 10/03/2011 (en) Music 150 Min
  • Release
    10/03/2011
  • Production
    Mariinsky Theatre
  • Rotten tomato
    0%
  • Original title
    Tchaikovsky: Symphonies Nos. 4, 5 & 6 - Gergiev
  • Original language
    en
  • Production Cost
  • 0.00
    -

Overview

Valery Gergiev is widely recognised as the greatest modern interpreter of Tchaikovsky’s music and the Mariinsky holds a peerless reputation in the repertoire. Together they deliver definitive interpretations of Tchaikovsky’s most popular symphonies. These acclaimed performances were filmed at Salle Pleyel in Paris during January 2010, directed by Andy Sommer. The themes of fate and death pervade Tchaikovsky’s final symphonies. The composition of the Fourth Symphony coincided with the breakdown of Tchaikovsky’s marriage and a failed suicide attempt, yet he considered it to be his greatest. In contrast he believed his Fifth to be flawed and uninviting, yet today this heartfelt work is widely regarded as one of his finest. The subject of fate is further instilled in the Sixth Symphony, premiered shortly before Tchaikovsky’s death. It was posthumously entitled ‘Pathétique’ by his brother and is a deeply melancholic work, full of dynamic extremes and an inherent sense of finality.

  1. Andy Sommer

    Director

  2. Story

  3. Editor

  4. Producer



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Casts : 2 , Crews : 1

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Tchaikovsky: Symphonies Nos. 4, 5 & 6 - Gergiev (2011) 150 Min

ALL 10/03/2011 (en)
Music
  • Release 10/03/2011
  • Production
    Mariinsky Theatre
  • Original title Tchaikovsky: Symphonies Nos. 4, 5 & 6 - Gergiev
  • en
  • Revenue0.00

Overview

Valery Gergiev is widely recognised as the greatest modern interpreter of Tchaikovsky’s music and the Mariinsky holds a peerless reputation in the repertoire. Together they deliver definitive interpretations of Tchaikovsky’s most popular symphonies. These acclaimed performances were filmed at Salle Pleyel in Paris during January 2010, directed by Andy Sommer. The themes of fate and death pervade Tchaikovsky’s final symphonies. The composition of the Fourth Symphony coincided with the breakdown of Tchaikovsky’s marriage and a failed suicide attempt, yet he considered it to be his greatest. In contrast he believed his Fifth to be flawed and uninviting, yet today this heartfelt work is widely regarded as one of his finest. The subject of fate is further instilled in the Sixth Symphony, premiered shortly before Tchaikovsky’s death. It was posthumously entitled ‘Pathétique’ by his brother and is a deeply melancholic work, full of dynamic extremes and an inherent sense of finality.

  1. Andy Sommer

    Director

  2. Story

  3. Editor

  4. Producer



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