Zoom

Verdi La Traviata (1992)

ALL 08/14/1992 (en) Music 120 Min
  • Release
    08/14/1992
  • Production
    NVC Arts
  • Rotten tomato
    40%
  • Original title
    Verdi La Traviata
  • Original language
    en
  • Production Cost
  • 0.00
    -

Overview

This set has Edita Gruberova singing in top form, all her scooping cast aside, which one finds in abundance in her Lucia under Richard Bonynge. Here, however, she makes ravishing use of those bits of tone that only she can produce: those instances of coloratura and dramatic legato with little asides and small florishes of style that suggest her intelligent approach and her high degree of musical involvement in this role. She does this in her I Puritani and her Anna Bolena, less so in Roberto Deveraux and Maria Stuarda(both sets). Listen to Addio del passato and the Sempre Libra...ravishing, yes, but there are again those nuances learned from Callas that she makes her own. A very singualr perform,ance, and extremely moving with its detail and cry for pity throughout..from the start even. Neil Schicoff is excellent, not an unworthy Alfredo at all! His is a great lyric tenor voice that should have been in the top line.

  1. Derek Bailey

    Director

  2. Story

  3. Editor

  4. Producer



Currently available to stream, watch for free, rent, and buy in the United States. You can makes it easy to find out where you can legally watch your favorite movies & TV shows online.

Watch Channel

Casts

Full Cast & Crew

Casts : 10 , Crews : 2

Recommand

Keyword

Verdi La Traviata (1992) 120 Min

ALL 08/14/1992 (en)
Music
  • Release 08/14/1992
  • Production
    NVC Arts
  • Original title Verdi La Traviata
  • en
  • Revenue0.00

Overview

This set has Edita Gruberova singing in top form, all her scooping cast aside, which one finds in abundance in her Lucia under Richard Bonynge. Here, however, she makes ravishing use of those bits of tone that only she can produce: those instances of coloratura and dramatic legato with little asides and small florishes of style that suggest her intelligent approach and her high degree of musical involvement in this role. She does this in her I Puritani and her Anna Bolena, less so in Roberto Deveraux and Maria Stuarda(both sets). Listen to Addio del passato and the Sempre Libra...ravishing, yes, but there are again those nuances learned from Callas that she makes her own. A very singualr perform,ance, and extremely moving with its detail and cry for pity throughout..from the start even. Neil Schicoff is excellent, not an unworthy Alfredo at all! His is a great lyric tenor voice that should have been in the top line.

  1. Derek Bailey

    Director

  2. Story

  3. Editor

  4. Producer



  • Choose your language

    Site Language

    Select the site language for displaying all messaging on the site including all menus, buttons, and labels.

    Content Language

    Select the content language for displaying show titles, descriptions and subtitles. The language will revert to English if your chosen language is unavailable.

  • Site :