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Good Morning, Michelangelo (1968)

ALL 03/12/1968 (it) 18 Min
  • Release
    03/12/1968
  • Production
  • Rotten tomato
    0%
  • Original title
    Buongiorno Michelangelo
  • Original language
    it
  • Production Cost
  • 0.00
    -

Overview

The film challenges the aura of the artwork, pushing it towards performance in urban space. During the exhibition Con-temp-l’azione (1967–68), at the three galleries Stein, Sperone and Il punto, two works by Michelangelo Pistoletto are taken out into the street. The film marks the beginning of a more militant and performative phase in Pistoletto’s career, opening up possible references to Situationism, Fluxus and nouveau réalisme. The film starts with Pistoletto shaving in front of one of his ‘mirrors’: the codes of everyday life and advertising burst into the scene. The large ball of newspapers roams Turin in a convertible automobile. The music of The Beatles accompanies the exploration of different filming and editing techniques. Intense, amused and brilliant, Buongiorno Michelangelo suggests a performative, cooperative and perhaps also playful aspect of the attitude of this short and intense period. —Tate Modern

  1. Ugo Nespolo

    Director

  2. Story

  3. Editor

  4. Producer



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Casts

Full Cast & Crew

Casts : 9 , Crews : 1

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Good Morning, Michelangelo (1968) 18 Min

ALL 03/12/1968 (it)
  • Release 03/12/1968
  • Production
  • Original title Buongiorno Michelangelo
  • it
  • Revenue0.00

Overview

The film challenges the aura of the artwork, pushing it towards performance in urban space. During the exhibition Con-temp-l’azione (1967–68), at the three galleries Stein, Sperone and Il punto, two works by Michelangelo Pistoletto are taken out into the street. The film marks the beginning of a more militant and performative phase in Pistoletto’s career, opening up possible references to Situationism, Fluxus and nouveau réalisme. The film starts with Pistoletto shaving in front of one of his ‘mirrors’: the codes of everyday life and advertising burst into the scene. The large ball of newspapers roams Turin in a convertible automobile. The music of The Beatles accompanies the exploration of different filming and editing techniques. Intense, amused and brilliant, Buongiorno Michelangelo suggests a performative, cooperative and perhaps also playful aspect of the attitude of this short and intense period. —Tate Modern

  1. Ugo Nespolo

    Director

  2. Story

  3. Editor

  4. Producer



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