Immortality and Resurrection For All! (2017)

ALL 09/01/2017 (ru) Documentary 34 Min
  • Release
    09/01/2017
  • Production
    Haus der Kulturen der Welt
  • Rotten tomato
    60%
  • Original title
    Бессмертие и воскресение для всех!
  • Original language
    ru
  • Production Cost
  • 0.00
    -

Overview

The last film in Vidokle's trilogy on Cosmism is a meditation on the museum as the site of resurrection-a central idea for many Cosmist thinkers, scientists and avant-garde artists. Filmed at the State Tretyakov Gallery, the Moscow Zoological Museum, The Lenin Library, and the Museum of Revolution, the film looks at museological and archival techniques of collection, restoration and conservation as a means of the material restoration of life, following an essay penned by Nikolai Federov on this subject in the 1880s. The film follows a cast comprised of present-day followers of Federov, several actors, artists and a Pharaoh Hound that playfully enact a resurrection of a mummy, a close examination of Malevich's Black Square, Rodchenko's spatial constructions, taxidermied animals, artifacts of the Russian Revolution, skeletons, and mannequins in tableau vivant-like scenes, in order to create a contemporary visualization of the poetry implicit in Federov's writings.

  1. Anton Vidokle

    Director

  2. Producer



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Casts

Full Cast & Crew

Casts : 21 , Crews : 28

Keyword

Immortality and Resurrection For All! (2017) 34 Min

ALL 09/01/2017 (ru)
Documentary
  • Release 09/01/2017
  • Production
    Haus der Kulturen der Welt
  • Original title Бессмертие и воскресение для всех!
  • ru
  • Revenue0.00

Overview

The last film in Vidokle's trilogy on Cosmism is a meditation on the museum as the site of resurrection-a central idea for many Cosmist thinkers, scientists and avant-garde artists. Filmed at the State Tretyakov Gallery, the Moscow Zoological Museum, The Lenin Library, and the Museum of Revolution, the film looks at museological and archival techniques of collection, restoration and conservation as a means of the material restoration of life, following an essay penned by Nikolai Federov on this subject in the 1880s. The film follows a cast comprised of present-day followers of Federov, several actors, artists and a Pharaoh Hound that playfully enact a resurrection of a mummy, a close examination of Malevich's Black Square, Rodchenko's spatial constructions, taxidermied animals, artifacts of the Russian Revolution, skeletons, and mannequins in tableau vivant-like scenes, in order to create a contemporary visualization of the poetry implicit in Federov's writings.

  1. Anton Vidokle

    Director

  2. Nikolai Fedorov

    Story

  3. Adam Khalil, Meggie Schneider

    Editor

  4. Producer