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Shostakovich: Lady Macbeth of Mtsensk (2019)

ALL 04/16/2019 (ru) Music 180 Min
  • Release
    04/16/2019
  • Production
    Opéra National de Paris
  • Rotten tomato
    0%
  • Original title
    Shostakovich: Lady Macbeth of Mtsensk
  • Original language
    ru
  • Production Cost
  • 0.00
    -

Opera in four acts and nine parts (1934)

Overview

Of Shostakovich’s initial undertaking – a trilogy on the tragic destinies of Russian women through the ages – only one opera was ever written: the hard-hitting Lady Macbeth of Mtsensk. Although one of the mainsprings of the work, the Shakespearean parallel is here bitterly ironic: unlike Lady Macbeth, Katerina Ismaïlova who, in the remote reaches of rural 19th century Russia, falls in love with one of her husband’s employees and is finally forced to commit suicide, is less a manipulator than a victim of a violent and patriarchal society. Krzysztof Warlikowski liberates all the subversive power of this scorching and scandalous work, which marked the early years of the Opéra Bastille.

  1. Director

  2. Story

  3. Editor

  4. Producer



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Casts

  1. Aušrinė Stundytė

    Katerina Lvovna Ismailova

  2. Pavel Cernoch

    Serguei

  3. Dmitry Ulyanov

    Boris Timofeevich Ismailov

  4. Sofija Petrovic

    Aksinya

  5. John Daszak

    Zinovy Borisovich Ismailov

  6. Krzysztof Baczyk

    A priest

  7. Oksana Volkova

    Sonyetka

  8. Ingo Metzmacher

    Conductor

Full Cast & Crew

Casts : 8 , Crews : 7

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Keyword

Shostakovich: Lady Macbeth of Mtsensk (2019) 180 Min

ALL 04/16/2019 (ru)
Music
  • Release 04/16/2019
  • Production
    Opéra National de Paris
  • Original title Shostakovich: Lady Macbeth of Mtsensk
  • ru
  • Revenue0.00

Opera in four acts and nine parts (1934)

Overview

Of Shostakovich’s initial undertaking – a trilogy on the tragic destinies of Russian women through the ages – only one opera was ever written: the hard-hitting Lady Macbeth of Mtsensk. Although one of the mainsprings of the work, the Shakespearean parallel is here bitterly ironic: unlike Lady Macbeth, Katerina Ismaïlova who, in the remote reaches of rural 19th century Russia, falls in love with one of her husband’s employees and is finally forced to commit suicide, is less a manipulator than a victim of a violent and patriarchal society. Krzysztof Warlikowski liberates all the subversive power of this scorching and scandalous work, which marked the early years of the Opéra Bastille.

  1. Director

  2. Story

  3. Editor

  4. Producer



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