Living room of the future (FACT edition) (2018)

ALL 04/05/2018 (en) 15 Min
  • Release
    04/05/2018
  • Production
    BBC
  • Rotten tomato
    100%
  • Original title
    Living room of the future (FACT edition)
  • Original language
    en
  • Production Cost
  • 0.00
    -

The "Living room" of the future

Overview

The AHRC funded Objects of Immersion created the Living Room of the Future (LROTF) to highlight the future potential of Object Based Media (OBM). OBM allows programme content to change according to unique interactions with audiences. The ‘objects’ in OBM refer to the different assets within a given programme. These include large objects like audio and video used to construct a scene in a drama, and small objects, like an individual frame of video, a caption, or a signer. By breaking down a piece of media into separate objects, attaching meaning to each object, and describing how they can be semantically rearranged, a programme can change to reflect an individual viewer’s unique context.

  1. Story

  2. Producer



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Casts

  1. Leila Ladhari

    Affective Character 1

  2. Khaleila Hisham

    Affective Character 2

  3. Jasmine Raymond

    Affective Character 3

  4. Theodor Spiridon

    Affective Character 4/Voice

  5. Hannah Cecily

    Voice

Full Cast & Crew

Casts : 5 , Crews : 24

Keyword

Living room of the future (FACT edition) (2018) 15 Min

ALL 04/05/2018 (en)
  • Release 04/05/2018
  • Production
    BBC
  • Original title Living room of the future (FACT edition)
  • en
  • Revenue0.00

The "Living room" of the future

Overview

The AHRC funded Objects of Immersion created the Living Room of the Future (LROTF) to highlight the future potential of Object Based Media (OBM). OBM allows programme content to change according to unique interactions with audiences. The ‘objects’ in OBM refer to the different assets within a given programme. These include large objects like audio and video used to construct a scene in a drama, and small objects, like an individual frame of video, a caption, or a signer. By breaking down a piece of media into separate objects, attaching meaning to each object, and describing how they can be semantically rearranged, a programme can change to reflect an individual viewer’s unique context.

  1. Filip Jovanovski, Pavel Prokopic

    Director

  2. Story

  3. Pavel Prokopic

    Editor

  4. Producer