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The Trial (2018)

ALL 05/17/2018 (pt) Documentary 137 Min
  • Release
    05/17/2018
  • Production
    Nofoco Filmes Produções Cinematográficas, Conijn Film, Autentika Films, Canal Brasil, Vitrine Filmes
  • Rotten tomato
    76%
  • Original title
    O Processo
  • Original language
    pt
  • Production Cost
  • 0.00
    -

Overview

The impeachment and removal from office of Brazilian President Dilma Rousseff in 2016 was triggered by a corruption scandal involving, among others, her then vice-president Michel Temer. Director Maria Augusta Ramos follows the trial against Rousseff from the point of view of her defence team. This is a courtroom drama that unfolds slowly: the appearances of the various parties gradually turn the proceedings into something akin to theatre. Inside the courtroom, grand emotions are played to full effect whilst, on the other side of the doors, lobbyists and supporters pace the corridors. Meanwhile, outside, in front of Brasília’s modernist government buildings, demonstrators are chanting like a Greek chorus. Only the main character, Rousseff herself, remains professional and aloof.

  1. Maria Ramos

    Director

  2. Story

  3. Karen Akerman

    Editor

  4. Leonardo Mecchi

    Producer



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Casts

Full Cast & Crew

Casts : 14 , Crews : 19

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Keyword

The Trial (2018) 137 Min

ALL 05/17/2018 (pt)
Documentary
  • Release 05/17/2018
  • Production
    Nofoco Filmes Produções Cinematográficas, Conijn Film, Autentika Films, Canal Brasil, Vitrine Filmes
  • Original title O Processo
  • pt
  • Revenue0.00

Overview

The impeachment and removal from office of Brazilian President Dilma Rousseff in 2016 was triggered by a corruption scandal involving, among others, her then vice-president Michel Temer. Director Maria Augusta Ramos follows the trial against Rousseff from the point of view of her defence team. This is a courtroom drama that unfolds slowly: the appearances of the various parties gradually turn the proceedings into something akin to theatre. Inside the courtroom, grand emotions are played to full effect whilst, on the other side of the doors, lobbyists and supporters pace the corridors. Meanwhile, outside, in front of Brasília’s modernist government buildings, demonstrators are chanting like a Greek chorus. Only the main character, Rousseff herself, remains professional and aloof.

  1. Maria Ramos

    Director

  2. Story

  3. Karen Akerman

    Editor

  4. Leonardo Mecchi

    Producer



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