8 Days: Two Faces of the Feast (2014)

ALL 04/17/2014 (ko) Documentary, History 73 Min
  • Release
    04/17/2014
  • Production
    KBS Media
  • Rotten tomato
    0%
  • Original title
    의궤, 8일간의 축제
  • Original language
    ko
  • Production Cost
  • 0.00
    -

Overview

The film chases a historical event when King Jungjo tried to replace hispersonal revenge on those who killed his father Sado, the Crown Prince, with agreat cause to build up a nation for its people, which eventually leads to remind the lessons of history that repeat permanently like a Mobius strip. The film seems to aim to introduce the uniqueness of Uigwe with a historical yet futuristic value as a World Heritage on the surface, but in fact, it pursues torestore audio-visually the immaterial thing that remains only as a record under the name of feast. Inside the device receiving images, there might have been desires to reproduce the world or to secularize the invisible from the beginning. Hungry TV will awaken the potential to visualize all the intangible via digitaltechnology. So to speak, there is digital technology, and it is followed by aquestion: How far the digital technology of 21st century would lead this deviceto?

  1. Choi Pil-gon

    Director

  2. Story

  3. Editor

  4. Producer



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Casts

  1. Yeo Jin-goo

    Narrator (voice)

Full Cast & Crew

Casts : 1 , Crews : 5

Keyword

8 Days: Two Faces of the Feast (2014) 73 Min

ALL 04/17/2014 (ko)
Documentary, History
  • Release 04/17/2014
  • Production
    KBS Media
  • Original title 의궤, 8일간의 축제
  • ko
  • Revenue0.00

Overview

The film chases a historical event when King Jungjo tried to replace hispersonal revenge on those who killed his father Sado, the Crown Prince, with agreat cause to build up a nation for its people, which eventually leads to remind the lessons of history that repeat permanently like a Mobius strip. The film seems to aim to introduce the uniqueness of Uigwe with a historical yet futuristic value as a World Heritage on the surface, but in fact, it pursues torestore audio-visually the immaterial thing that remains only as a record under the name of feast. Inside the device receiving images, there might have been desires to reproduce the world or to secularize the invisible from the beginning. Hungry TV will awaken the potential to visualize all the intangible via digitaltechnology. So to speak, there is digital technology, and it is followed by aquestion: How far the digital technology of 21st century would lead this deviceto?

  1. Choi Pil-gon

    Director

  2. Story

  3. Editor

  4. Producer