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Cotton Candy (2002)

ALL 04/30/2002 (en) 56 Min
  • Release
    04/30/2002
  • Production
  • Rotten tomato
    0%
  • Original title
    Cotton Candy
  • Original language
    en
  • Production Cost
  • 0.00
    -

Overview

Gehr uses a mini-digital recorder to look back on the Machine Age in the form of San Francisco's soon-to-be-shuttered Musee Mecanique. For slightly more than an hour, Cotton Candy documents this venerable collection of coin-operated mechanical toys—including an entire circus—mainly in close-up, isolating particular details as he alternates between ambient and post-dubbed (or no) sound. By treating the Musee's cast of synchronized figures as puppets, the artist is making a show—but is it his or theirs? Gehr's selective take on the arcade renders it all the more spooky. There's a sense in which Cotton Candy is a gloss on the moment in The Rules of the Game when the music-box-collecting viscount unveils his latest and most elaborate acquisition. (It also brings to mind the climax of A.I.: The DV of the future tenderly regards the more human machine of the past.) (J. Hoberman, The Village Voice)

  1. Ernie Gehr

    Director

  2. Story

  3. Editor

  4. Producer



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Casts

  1. Christine Casarsa

    Little Girl

Full Cast & Crew

Casts : 1 , Crews : 1

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Cotton Candy (2002) 56 Min

ALL 04/30/2002 (en)
  • Release 04/30/2002
  • Production
  • Original title Cotton Candy
  • en
  • Revenue0.00

Overview

Gehr uses a mini-digital recorder to look back on the Machine Age in the form of San Francisco's soon-to-be-shuttered Musee Mecanique. For slightly more than an hour, Cotton Candy documents this venerable collection of coin-operated mechanical toys—including an entire circus—mainly in close-up, isolating particular details as he alternates between ambient and post-dubbed (or no) sound. By treating the Musee's cast of synchronized figures as puppets, the artist is making a show—but is it his or theirs? Gehr's selective take on the arcade renders it all the more spooky. There's a sense in which Cotton Candy is a gloss on the moment in The Rules of the Game when the music-box-collecting viscount unveils his latest and most elaborate acquisition. (It also brings to mind the climax of A.I.: The DV of the future tenderly regards the more human machine of the past.) (J. Hoberman, The Village Voice)

  1. Ernie Gehr

    Director

  2. Story

  3. Editor

  4. Producer



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